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“Not all men and women can devote themselves to those whom they respect. Some are jealous of superiority and are far more interested in revealing the faults than in imitating the virtues of a noble character. Others fear the option of a mind that is too lucid and prefer to be friends with someone less exacting.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

“Dramatists have always made fun of the friendship between a husband and his wife's lover. But is it so comic? These two men undoubtedly have more to say to one another than the lover and his mistress. They get on perfectly well, and it is often the husband's presence that makes endurable the intolerable boredom of certain affairs of this sort. Cases have been known where a break occurred almost immediately following the husband's withdrawal from the scene.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

“To reason with poorly chosen words is like using a pair of scales with inaccurate weights.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

“It is true that in thus giving his love to fragile beings man becomes more vulnerable. He who passionately loves a woman, children, or his country gives hostages to fortune. He will be tortured from then on, though he be in good health, put down though he be powerful, forced to ask for mercy though he be courageous and hardened to suffering. Fortune has him in her grasp. He is forced to watch with burning anxiety the sickness of those he love tenderly - a suffering far worse than that caused by any malady of his own, because his physical powers are intact. He wants to help, but feels utterly useless. He would like to surrender himself instead of his precious hostages, and sickness - arrogant and tyrannical - chooses its victims relentlessly. In spite of himself he feels like a coward and a traitor, because he has escaped. This is the cruellest of all human torments.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

“The aspiring author, whether genius or not, should never let a day pass without writing at least a few lines.”

André Maurois

The Art of Writing

“When one is already happy it is important not to lose the virtues which have produced happiness. When they are successful, many men and women forget prudence, moderation, and kindness - qualities which were instrumental in their success. They are arrogant or thoughtless; an excessive self-confidence prevents them from accomplishing difficult tasks, and they soon become unworthy of their good fortune. They are surprised when their luck changes from good to bad. The ancient practice of sacrifice to the gods in return for happiness was a wise one. Polycrates, Tyrant of Samos, threw his precious ring into the sea as a sacrifice, and there are several ways of throwing the ring of Polycrates into the sea. The simplest is to be modest.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

“The truth is that the family, like marriage, is one of those institutions whose very importance renders them complex. Abstract ideas are the only simple ones, because they have little to do with life. The family is not the arbitrary creation of a legislator; it is a natural consequence of the division of the species into two sexes, of the human child's protracted helplessness, of maternal love which ministers to this helplessness, of paternal love which is far more artificial and recent in human history, and composed just as much of love for the mother as of that for the child.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Family Life

“"A man's life is happy," says Pascal, "if he begins by being in love and ends by being ambitious." It will be still happier if, after all his ambitions have been satisfied, it ends in tranquility.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

“As the experienced chauffeur can tell by listening to his motor that one of its cylinders is not firing properly, so the born leader knows when his subordinates are not serving him, seeks the cause, and finds it.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Leadership

“Happiness flourishes where there is happiness, and love withers quickly in an atmosphere of constraint and gloom.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“Marriage makes a man more vulnerable by doubling the expanse of sail exposed to the tempests of social life.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Marriage

“It is often difficult to fill an active healthy man's leisure. He is bored when not working; he paces the floor like a caged animal and sinks naturally into vices which are merely the means of getting numberless vivid sensations from his body with which to fill his empty hours. Modern civilization, with its inventions and machines, has increased the number of these hours, and we must learn how to use them.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Working

“One has very little influence upon one's children. Their characters are what they are and one can do nothing to change them.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Family Life

“There must be no premature renunciation, physical or emotional. The heart, like the body, needs exercise. Naturally there can be no deliberate stirring up of emotion, but why, merely for reasons of age, should one deny oneself those that can be genuinely experienced? Because old men in love are ridiculous? They are ridiculous only if they forget that they are old men. There is nothing ridiculous about two old people really in love. Each still finds in the other those qualities which were admired in youth. Tender consideration, affection, and admiration have no age. In fact, it often happens that, when youth and its passions have vanished, love takes on an asceticism which is delightful. Sensual misunderstandings disappear with physical desire and jealousy with youth; impetuosity wanes with the body's strength. From the remnants of a stormy youth may be created an agreeable old age. Thus the existence of a couple resembles a river which leaps dangerously over jagged rocks near its source, but whose clear waters flow more slowly as it approaches the sea, its broad surface reflecting the poplars along its banks and the stars at night.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

“Reading, like all work, has its rules. A perfect knowledge of a few writers and a few subjects is more valuable than a superficial one of a great many. The fine points of a piece of writing are seldom apparent at first reading. In youth, one should search among books as one searches the world for friends, and once these friends are found, chosen, and adopted, one must go into retirement with them. Intimacy with Montaigne, Saint Simon, Retz, Balzac, or Proust would be enough to enrich one's whole life.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Working

“"Thinking is easy," said Goethe, "acting is difficult, and to put one's thought into action is the most difficult thing in the world." And Tolstoy: "It is easier to produce ten volumes of philosophical writing than to put one principle into practice."”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Thinking

“We are always repeating ancestral signs which are quite useless now. When a great actress wants to express hate she draws back her charming lips and shows her canine teeth, an unconscious sign of cannibalism. We shake hands with a friend to prevent him using it to strike us, and we take off our hats because our ancestors used to humbly offer their heads, to the bigwigs of those days, to be cut off.”

André Maurois

Les silences du colonel Bramble (The Silence of Colonel Bramble)

“Woman's great strength lies in being late or absent. Presence immediately reveals the weak points of our beloved; when she is absent she become one of the sylph-like figures of our adolescence whom we endowed with perfection.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

“Some people believe themselves to be independent of surrounding influences because their lives have made rebels of them. But rebellion is not a guarantee of independence. On the contrary, it is an acute form of prejudice. The writer who has been too much dominated in childhood will put himself forward as a free thinker in his attacks on religion and family life, but this revolt is the revolt of a slave.”

André Maurois

Un Art de Vivre (The Art of Living) (1939), The Art of Friendship

“We don't go to school to learn, but to be soaked in the prejudices of our class, without which we should be useless and unhappy.”

André Maurois

Les silences du colonel Bramble (The Silence of Colonel Bramble)