Alexander Calder: Thing

Alexander Calder was American artist. Explore interesting quotes on thing.
Alexander Calder: 82 quotes1 like

“At that time (last spring) [U. S., 1928] I did not consider this medium to be of any signal importance in the world of art; merely a very amusing stunt cleverly executed.... however, wishing to return to Paris, I felt it would be quite justifiable to have an exhibition here, where "clever stunts" are highly appreciated, so I came over 3 months ago and set to work, carving wood and twisting wire. These new studies in wire, however, did not remain the simple modest little things I had done in New York. They are still simple, more simple than before; and therein lie the great possibilities which I have only recently come to feel for the wire medium.”

Alexander Calder

1920s, Statement on Wire Sculpture' (1929)

“Yes, I think I am a realist. Because I make what I see. It's only the problem of seeing it. If you can imagine a thing, conjure it up in space - then you can make it, and tout de suite you're a realist. The universe is real but you can't see it. You have to imagine it. Once you imagine it, you can be realistic about reproducing it.”

Alexander Calder

Question, Léger once called you a realist. How do you feel about this?
1950s - 1960s, interview with Alexander Calder', (1962)

“Duchamp named the mobiles and Arp the stabiles. Arp said, "What did you call those things you exhibited last year? Stabiles?"”

Alexander Calder

Question, Is it true that Marcel Duchamp invented the name “mobile” for your work?
1950s - 1960s, interview with Alexander Calder', (1962)

“.. the elimination of other things which are not essential will make for a stronger result.”

Alexander Calder

1930s - 1950s, Statement from Modern Painting and Sculpture', (1933)

“Before, the wire studies were subjective, portraits, caricatures, stylized representations of beasts and humans. But these recent things have been viewed from a more objective angle and although their present size is diminutive, I feel that there is no limitation to the scale to which they can be enlarged... One of the canons of the futuristic painters, as propounded by Modigliani, was that objects behind other objects should not be lost to view, but should be shown through the others by making the latter transparent. The wire sculpture accomplishes this in a most decided manner.”

Alexander Calder

1920s, Statement on Wire Sculpture' (1929)

“The admission of approximation is necessary, for one cannot hope to be absolute in his precision. He cannot see, or even conceive of a thing from all possible points of view, simultaneously. While he perfects the front, the side, or rear may be weak; then while he strengthens the other facade he may be weakening that originally the best. There is no end to this. To finish the work he must approximate.”

Alexander Calder

1940s, Excerpt, A Propos of Measuring a Mobile (1943)

“To me the most important thing in composition is disparity. Thus black and white are the strong colors, with a spot of red to mark the other corner of a triangle which is by no means equilateral, isosceles, or right. To vary this still further use yellow, then, later, blue. Anything suggestive of symmetry is decidedly undesirable, except possibly where an approximate symmetry is used in a detail to enhance the inequality with the general scheme.”

Alexander Calder

1940s, Excerpt, A Propos of Measuring a Mobile (1943)

“I say nuclei, for to me whatever sphere, or other form, I use in these constructions does not necessarily mean a body of that size, shape or color, but may mean a more minute system of bodies, an atmospheric condition, or even a void. I.E. the idea that one can compose any things of which he can conceive.”

Alexander Calder

1940s, Excerpt, A Propos of Measuring a Mobile (1943)

“Wherever there is a main issue the elimination of other things which are not essential will make for a stronger result. In the earlier static abstract sculptures I was most interested in space, vectoral quantities, and centers of differing densities.”

Alexander Calder

1930s, Statement from Modern Painting and Sculpture (1933)
Source: en.wikiquote.org - Alexander Calder / Quotes / 1930s / Statement from Modern Painting and Sculpture (1933)

“Before, the wire studies were subjective, portraits, caricatures, stylized representations of beasts and humans. But these recent things have been viewed from a more objective angle and although their present size is diminutive, I feel that there is no limitation to the scale to which they can be enlarged....”

Alexander Calder

1920s, Excerpt, Statement on Wire Sculpture (1929)