Alain de Botton: Trending quotes (page 7)

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Alain de Botton: 292   quotes 62   likes

“Why, then, if expensive things cannot bring us remarkable joy, are we so powerfully drawn to them?”

Source: The Consolations of Philosophy (2000), Chapter II, Consolation For Not having Enough Money, p. 65.

“Arguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.”

Source: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 92.

“Life is near-death experience.”

As quoted in de Botton's School of Life lecture, 'On Pessimism' https://www.youtube.com/watch?v=Aw1oLtuJOXQ,
[transcript] https://docs.google.com/document/d/1BcpQlEBiGT6sYmMY8wz0F1rqoWjfC6J-40vhHQZFxxY/edit?pli=1

“Our bodies hold our minds hostage to their whims and rhythms.”

Source: The Consolations of Philosophy (2000), Chapter IV, Consolation For Inadequacy, p. 122.

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.

“It wasn't only fanatics and drunkards who began conversations with strangers in public.”

Source: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 16.

“True respectability stems not from the will of the majority but from proper reasoning.”

Source: The Consolations of Philosophy (2000), Chapter I, Consolations For Unpopularity, p. 33.