Agnes Repplier: Goodness

Agnes Repplier was American essayist. Explore interesting quotes on goodness.

Agnes Repplier: 22 quotes0 likes

“Had the Pilgrim Fathers been met on Plymouth Rock by immigration officials; had their children been placed immediately in good free schools, and given the care of doctors, dentists, and nurses; had they found themselves in infinitely better circumstances than they had ever enjoyed in England, indulging in undreamed-of luxuries, and taught by kind-hearted philanthropists,—what pioneer virtues would they have developed, what sons would they have bred, what honours would history have accorded them? If our early settlers were masterful, they earned the right to mastery, and the price they paid for it was endurance. To the sacrifices which they made, to their high courage and heroic labours, we owe law, liberty, and well-being.”

in "The Modest Immigrant" (1916)

“We can reckon the cost of misdirected emotions by the price which the past has paid for them. We know the full significance of that irresponsible sympathy which … admits no difference between attack and resistance, between a war of aggression and a war of defence; which confuses moral issues, ignores experience, and insults the intelligence of mankind. The reformer whose heart is in the right place, but whose head is elsewhere, represents a waste of force; and we can not afford any waste in the conservation of honour and goodness.”

in "The Cost of Modern Sentiment" (1916)

“The sanguine assurance that men and nations can be legislated into goodness, that pressure from without is equivalent to a moral change within, needs a strong backing of inexperience. 'The will,' says Francis Thompson, 'is the lynch-pin of the faculties.' We stand or fall by its strength or its infirmity. Where there is no temptation, there is no virtue. Parental legislation for the benefit of the weak leaves them as weak as ever… They may go to heaven in leading-strings, but they cannot conquer Apollyon on the way.”

in "Consolations of the Conservative" from Points of Friction (1920)