Quotes from book
Tonio Kröger

Thomas Mann Original title Tonio Kröger (German, 1903)

Tonio Kröger is a novella by Thomas Mann, written early in 1901, when he was 25. It was first published in 1903. A. A. Knopf in New York published the first American edition in 1936, translated by Helen Tracy Lowe-Porter.


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“I admire the proud and cold who go adventuring on the paths of great and demoniac beauty, and scorn "man"”

but I do not envy them. For if anything is capable of making a poet out of a man of letters, it is this plebeian love of mine for the human, living, and commonplace. All warmth, all goodness, all humor is born of it, and it almost seems to me as if it were that love itself, of which it is written that a man might speak with the tongues of men and of angels, and yet without it be no more than sounding brass or a tinkling cymbal.
Source: Tonio Kröger (1903), Ch. 9, as translated by Bayard Quincy Morgan

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“What they, in their innocence, cannot comprehend is that a properly constituted, healthy, decent man never writes, acts, or composes.”

"Tonio Kröger" on general opinions about artists.
Tonio Kröger (1903)

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“If you are possessed by an idea, you find it expressed everywhere, you even smell it.”

Variant translation: It is strange. If an idea gains control of you, you will find it expressed everywhere, you will actually smell it in the wind.
As translated by Bayard Quincy Morgan
Tonio Kröger (1903)

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“This longing for the bliss of the commonplace.”

Source: Tonio Kröger (1903), Ch. 4, and also in Ch. 9, as translated by David Luke

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Thomas Mann photo
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“I stand between two worlds, am at home in neither, and in consequence have rather a hard time of it.”

Source: Tonio Kröger (1903), Ch. 9, as translated by Bayard Quincy Morgan
Context: I stand between two worlds, am at home in neither, and in consequence have rather a hard time of it. You artists call me a commoner, and commoners feel tempted to arrest me … I do not know which wounds me more bitterly. Commoners are stupid; but you worshippers of beauty who call me phlegmatic and without yearning, ought to reflect that there is an artistry so deep, so primordial and elemental, that no yearning seems to it sweeter and more worthy of tasting than that for the raptures of common-placeness.

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“I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once — and to these I am very devoted. But my deepest and most secret love belongs to the blond and blue-eyed, the bright-spirited living ones, the happy, amiable, and commonplace.”

Source: Tonio Kröger (1903), Ch. 9, as translated by Bayard Quincy Morgan
Variant translation: But my deepest and most secret love belongs to the fair-haired and the blue-eyed, the bright children of life, the happy, the charming and the ordinary.
Ch. 9, as translated by David Luke
Context: What I have done is nothing, not much — as good as nothing. I shall do better things, Lisaveta — this is a promise. While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once — and to these I am very devoted. But my deepest and most secret love belongs to the blond and blue-eyed, the bright-spirited living ones, the happy, amiable, and commonplace.
Do not speak lightly of this love, Lisaveta; it is good and fruitful. There is longing in it and melancholy envy, and a tiny bit of contempt, and an unalloyed chaste blissfulness.

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