Quotes from book
The Sublime Object of Ideology

Name: The Sublime Object of Ideology
Author: Slavoj Žižek

The Sublime Object of Ideology is a 1989 book by the Slovenian philosopher and cultural theorist Slavoj Žižek. The work is widely considered his masterpiece.

“Nobody can rule innocently,' as Saint-Just puts it. And in totalitarianism, the Party becomes again the very subject who, being the immediate embodiment of the People can rule innocently. It is not by accident that the real-socialist countries call themselves 'people's democracies.”

Slavoj Žižek book The Sublime Object of Ideology

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“A well-known joke - a fool who thought he was a grain of corn. After some time in a mental hospital he was cured; now he knew that he was not a grain, but a man. So they let him out; but soon after he came running back saying, 'I met a hen and I was afraid she would try to eat me.' The doctors tried to calm him down. 'What are you afraid of? You know you are not a grain, but a man.”

Slavoj Žižek book The Sublime Object of Ideology

The fool answered: 'Yes of course I know that, but does the hen know?'
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“…Tibetan prayer wheels: you write a prayer on a paper, put the rolled paper on a wheel, and turn it automatically, without thinking. In this way, the wheel itself is praying for me, instead of me - or more precisely, I myself am praying through the medium of the wheel. The beauty of it all is that in my psychological inferiority I can think about whatever I want, I can yield to the most dirty and obscene fantasies, and it does not matter because - to use a good old Stalinist expression - 'whatever I am thinking, objectively I am praying.”

Slavoj Žižek book The Sublime Object of Ideology

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“Lacan conceives the difference between the two deaths as the difference being real (biological) death and its symbolization, the settling of accounts the accomplishment of symbolic destiny (deathbed confession in Catholicism, for example). This gap can be filled in various ways; it can contain either sublime beauty or fearsome monsters: in Antigone's case, her symbolic death, her exclusion from the symbolic community of the city, precedes her actual death and imbues her character with sublime beauty, whereas the ghost of Hamlet's father represents the opposite case, - actual death unaccompanied by symbolic death, without a settling of accounts - which is why he returns as a frightful apparition until his debt has been repaid. This place between the two deaths, a place of sublime beauty as well as terrifying monsters, is the site of das Ding, of the real-traumatic Kernel in the midst of symbolic order.”

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“Man as such is nature sick unto death, derailed, run off the rails through a fascination with a lethal Thing.”

Slavoj Žižek book The Sublime Object of Ideology

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“Father, why is the sky blue?' - the child is not really interested in the sky as such; the real stake of the question is to expose father's impotence, his helplessness in the face of the hard fact, to present the whole chain of reasons leading to it. The blue of the sky thus becomes not only the father's problem, but in a way even his fault. The sky is blue, and you're just staring at it like an idiot incapable of doing anything about it!”

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“The usual Marxist line of argument runs: 'only successful socialist revolution will render possible the abolition of women's repression, the end of the destructive exploitation of nature, relief from the threat of nuclear destruction…' My thesis is that of Saul Kripke's antidescriptivism offers us the conceptual tools to solve this problem.”

Slavoj Žižek book The Sublime Object of Ideology

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“The symbolic order is striving for a homeostatic balance, but there is in its Kernel, at its very centre, some strange traumatic order - the Thing. Lacan coined a neologism for it: l'extimité - external intimacy, which served as a title for one of Jacques-Alain Miller's Seminars. And what, at this level, is the death drive? Exactly the opposite of the symbolic orderL the possibility of the second death,' the radical annihilation of the symbolic texture through which so-called reality is constructed. They very existence of the symbolic order implies a possibility of its radical effacement, of symbolic death”

Slavoj Žižek book The Sublime Object of Ideology

the the death of the so-called real object in its symbol, but the obliteration of the signifying network itself.
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“All the proper balances of our daily life are disturbed, everything we do is colored by the underlying thought of "that."”

Slavoj Žižek book The Sublime Object of Ideology

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“A woman is not complimentary to a man, but she embodies his lack (which is why Lacan can say that a beautiful woman is a perfect incarnation of man's castration).”

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“The criticism of ideology must therefore invert the linking of causality as perceived by the totalitarian gaze: far from being the positive cause of social antagonism, the Jew is just an embodiment of a certain blockage - of the impossibility which prevents the society from achieving its full identity as a closed, homogenous totality. Far from being the positive cause of social negativity, the Jew is a point at which social negativity as such assumes another formula of the basic procedure of the criticism of ideology, supplementing the one given above: to detect, in a given ideological edifice, the element which represents within it its own impossibility. Society is not prevented from achieving its full identity because of Jews: it is prevented by its own antagonistic nature, by its own immanent blockage, and it projects this internal negativity into the figure of the Jew. In other words, what is excluded from the Symbolic (from the frame of the corporalist socio-symbolic order) returns in the Real as a paranoid construction of the Jew.”

Slavoj Žižek book The Sublime Object of Ideology

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“In the Critique of Cynical Reasoning, a great bestseller in Germany (Sloterdijk, 1983), Peter Sloterdijk puts forward the thesis that ideology's dominant mode of functioning is cynical which renders impossible - or, more precisely, vain - the classical critical-ideological procedure. The cynical subject is quite aware of the distance between the ideological mask and the social reality, but he none the less still insists upon the mask”

Slavoj Žižek book The Sublime Object of Ideology

Source: The Sublime Object of Ideology (1989), pp.29, "Cynicism as a Form of Ideology"