Quotes from book
Elective Affinities

Elective Affinities
Johann Wolfgang von Goethe Original title Die Wahlverwandtschaften (German)

Elective Affinities , also translated under the title Kindred by Choice, is the third novel by Johann Wolfgang von Goethe, published in 1809. The title is taken from a scientific term once used to describe the tendency of chemical species to combine with certain substances or species in preference to others. The novel is based on the metaphor of human passions being governed or regulated by the laws of chemical affinity, and examines whether or not the science and laws of chemistry undermine or uphold the institution of marriage, as well as other human social relations.


Johann Wolfgang von Goethe photo

“Men who give way easily to tears are good. I have nothing to do with those who hearts are dry and who eyes are dry!”

Tränenreiche Männer sind gut. Verlasse mich jeder, der trocknen Herzens, trockner Augen ist!
Bk. I, Ch. 18, R. J. Hollingdale, trans. (1971), p. 147
Elective Affinities (1809)

Johann Wolfgang von Goethe photo
Johann Wolfgang von Goethe photo

“One is never satisfied with a portrait of a person that one knows.”

Bk. II, Ch. 2
Elective Affinities (1809)

Johann Wolfgang von Goethe photo
Johann Wolfgang von Goethe photo
Johann Wolfgang von Goethe photo
Johann Wolfgang von Goethe photo

“The architect hands over to the rich man with the keys to his palace all the ease and comfort to be found in it without being able to enjoy any of it himself. Must the artist not in this way gradually become alienated from his art, since his work, like a child that has been provided for and left home, can no longer have any effect upon its father? And how beneficial it must have been for art when it was intended to be concerned almost exclusively with what was public property, and belonged to everybody and therefore also to the artist!”

Dem Reichen übergibt der Baumeister mit dem Schlüssel des Palastes alle Bequemlichkeit und Behäbigkeit, ohne irgend etwas davon mitzugenießen. Muß sich nicht allgemach auf diese Weise die Kunst von dem Künstler entfernen, wenn das Werk wie ein ausgestattetes Kind nicht mehr auf den Vater zurückwirkt? Und wie sehr mußte die Kunst sich selbst befördern, als sie fast allein mit dem öffentlichen, mit dem, was allen und also auch dem Künstler gehörte, sich zu beschäftigen bestimmt war!
Bk. II, Ch. 3, R. J. Hollingdale, trans. (1971), p. 170
Elective Affinities (1809)

Johann Wolfgang von Goethe photo

“There are occasions … when all consolation is base and it is a duty to despair.”

Es gibt Fälle, ... wo jeder Trost niederträchtig und Verzweiflung Pflicht ist.
Bk. I, Ch. 18, R. J. Hollingdale, trans. (1971), p. 147
Elective Affinities (1809)

Johann Wolfgang von Goethe photo

“There is no outward mark of politeness that does not have a profound moral reason. The right education would be that which taught the outward mark and the moral reason together.”

Es gibt kein äußeres Zeichen der Höflichkeit, das nicht einen tiefen sittlichen Grund hätte. Die rechte Erziehung wäre, welche dieses Zeichen und den Grund zugleich überlieferte.
Bk. II, Ch. 5, R. J. Hollingdale, trans. (1971), p. 195
Elective Affinities (1809)

Johann Wolfgang von Goethe photo

“None are more hopelessly enslaved than those who falsely believe they are free.”

Niemand ist mehr Sklave, als der sich für frei hält, ohne es zu sein.
Bk. II, Ch. 5; source: Die Wahlverwandtschaften, Hamburger Ausgabe, Bd. 6 (Romane und Novellen I), dtv Verlag, München, 1982, p. 397 (II.5)
Elective Affinities (1809)

Johann Wolfgang von Goethe photo
Johann Wolfgang von Goethe photo

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