Quotes about wisdom and truth

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“It is beautiful here [in Etretat, Normandy], my friend; every day I discover even more beautiful things. It is intoxicating me, and I want to paint it all - my head is bursting.... I want to fight, scratch it off, start again, because I start to see and understand. I seems to me as if I can see nature and I can catch it all.... it is by observation and reflection that I discover how. That is what we are working on, continuously..”

Claude Monet (1840–1926) French impressionist painter

Quote of Monet, 1864 in a letter to his friend Frédéric Bazille; as cited in Monet's landschappen Vivian Rusell; Icob, Alphen aan de Rijn, The Netherlands 2010, p. 12
1850 - 1870

“I am distressed, almost discouraged, and fatigued to the point of slightly ill... Never have I been so unlucky with the weather. Never three suitable days in succession, so I have to be always making changes [in his paintings] for everything is growing and turning green. And I have dreamed of painting the Creuse [river in the South of France] just as we saw it... In short, by dint of changes I am following Nature without being able to grasp her, and then there is that river that shrinks, swells again, green one day, then yellow, sometimes almost dry, and which tomorrow will be a torrent, after the terrible rain that is falling at the moment. In fact, I am very worried. Write to me; I have a great need of comfort.”

Claude Monet (1840–1926) French impressionist painter

In his letter from Normandy to art-critic and friend Gustave Geffroy, 24 April 1889; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 129
1870 - 1890

“There at the moment in Honfleur... Boudin and Jongkind are here; we get on marvelously. There's lots to be learned and nature begins to grow beautiful... I shall tell you I'm sending a flower picture to the exhibition at Rouen; there are very beautiful flowers at present.”

Claude Monet (1840–1926) French impressionist painter

in a letter to Frédéric Bazille; as cited in: Edward B. Henning, Cleveland Museum of Art. Creativity in art and science, 1860-1960. (1987), p. 95
1850 - 1870

“One day Eugène Boudin said to me, '.. appreciate the sea, the light, the blue sky'. I took his advice and together we went on long outings during which I painted constantly from nature. This was how I came to understand nature and learned to love it passionately.”

Claude Monet (1840–1926) French impressionist painter

as quoted in Discovering Art, – The life time and work of the World’s greatest Artists, MONET; K.E. Sullivan, Brockhamptonpress, London 2004, p. 10
after Monet's death

“I could not appreciate his [ Boudin ] paintings and when he offered to take me with him to paint outdoors in the open countryside, I always found a pretext and refused politely. But when summer came, I was more or less free to dispose of my time as I wished and I had no feasible excuse left to give him and gave in. Thus it was, that Boudin - with his inexhaustible kindness - took it upon himself to educate me. With time, my eyes began to open and I really started to understand nature. I also learned to love it. I would analyze its forms with my pencil. I would study its colorations.”

Claude Monet (1840–1926) French impressionist painter

quote from an interview Claude Monet par lui-meme, by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in 'Le Temps newspaper', 26 November 1900
about Eugène Boudin, who was landscape-painting in and around Le Havre c. 1856; Monet was 16 years old, then
1900 - 1920

“My only merit lies in having painted directly in front of nature, seeking to render my impressions of the most fleeting effects, and I still very much regret having caused the naming of a group whose majority had nothing impressionist about it.”

Claude Monet (1840–1926) French impressionist painter

Quote in his letter to Evan Charteris, June 21, 1926; as cited in: Levine, Steven Z. " Monet's Series: Repetition, Obsession http://www.jstor.org/discover/10.2307/778519." October (1986): 65-75. <br class="br">1920 - 1926

“The following week, when he Toulmouche passed in front of me, he sat down and squarely positioned on my chair, looked at my piece. I could then see him turn around, inclining his serious face with a satisfied air and I heard him say to me while smiling: "Not bad, not at all bad this, but it is too much like the real model. You have a stocky man and you depict him as stocky… Nature, my friend, serves well as a means to study but offers no real interest. Style is the only thing that matters." I was flabbergasted. The truth, life, nature - all that provoked emotions in me - all that constituted for me the real essence and the unique "raison d'être" of art, did not exist for this man!”

Claude Monet (1840–1926) French impressionist painter

Quote from Claude Monet par lui-meme – an interview by Thiébault-Sisson / translated by Louise McGlone Jacot-Descombes; published in 'Le Temps newspaper', 26 November 1900.
About Toulmouche, Monet first painting-teacher in Paris c. 1857
1900 - 1920

“[looking at the dead body of his first wife Camille, 5 Sept 1879], watching her tragic forehead, almost mechanically observing the colors which death was imposing on her rigid face. Blue. Blue, yellows, grey, what do I know?... How natural to to want to reproduce the last image of her, who was leaving us for ever. But even before the idea came to me to record her beloved features, something in me automatically responded tot the shocks of colours. I just seem to be compelled in an unconsciousness activity, the one I engage in every day, like an animal turning in its mill.”

Claude Monet (1840–1926) French impressionist painter

Quote in Monet's letter, September 1879; as cited in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, p. 209
1870 - 1890

“I tell myself that anyone who says he has finished a canvas is terribly arrogant. Finished means complete, perfect, and I toil away without making any progress, searching, fumbling around, without achieving anything much.”

Claude Monet (1840–1926) French impressionist painter

Claude Monet, 1893; as quoted in: David W. Galenson (2009), Painting outside the Lines, p. 49
1890 - 1900

“It seems to me, when I see nature, that I see it ready made, completely written — but then, try to do it!”

Claude Monet (1840–1926) French impressionist painter

2 quotes in Monet's letter to , July 15, 1864; as cited in Mary M. Gedo (2013) Psychoanalytic Perspectives on Art. p. 114-15 / p. 60
1850 - 1870
Context: It seems to me, when I see nature, that I see it ready made, completely written — but then, try to do it! All this proves that one must think of nothing but them [impressions]; it is by dint of observation and reflection that one makes discoveries.

“I'm very happy, very delighted.... for I am surrounded here by all that I love. I spent my time out of doors.... and naturally I'm working all the time, and I think this year I'm going to do some serious things. And then in the evening, dear fellow, I come home to my little cottage to find a good fire and a dear little family... Dear friend, it's a delight to watch this person [his first son Jean, born in 1867] grow, and I am glad to have him to be sure…”

Claude Monet (1840–1926) French impressionist painter

in a letter to Frédéric Bazille: as cited by K.E. Sullivan. Monet: Discovering Art, Brockhampton press, London (2004), p. 22
1850 - 1870

“The richness I achieve comes from nature, the source of my inspiration.”

Claude Monet (1840–1926) French impressionist painter

“What keeps my heart awake is colorful silence.”

Claude Monet (1840–1926) French impressionist painter

“"Some people are desperately looking for scapegoats, they just don't want to see the truth!" (Jon commenting on the parents that blame music for the violence.)”

Jonathan Davis (1971) Heavy metal singer, frontman for Korn

“Residues arise … naturally in several branches of analysis …. Their consideration provides simple and easy-to-use methods, which are applicable to a large number of diverse questions, and some new results ….”

Augustin Louis Cauchy (1789–1857) French mathematician (1789–1857)

Sur un nouveau genre de calcul, 1826.

“Can you imagine what I would do if I could do all I can?”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

“Water shapes its course according to the nature of the ground over which it flows; the soldier works out his victory in relation to the foe whom he is facing. Therefore, just as water retains no constant shape, so in warfare there are no constant conditions. He who can modify his tactics in relation to his opponent and thereby succeed in winning, may be called a heaven-born captain.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Lionel Giles translation
Source: The Art of War, Chapter VI · Weaknesses and Strengths

“Secret operations are essential in war; upon them the army relies to make its every move.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Source: The Art of War, Chapter XIII · Intelligence and Espionage

“Of all those in the army close to the commander none is more intimate than the secret agent; of all rewards none more liberal than those given to secret agents; of all matters none is more confidential than those relating to secret operations.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Source: The Art of War, Chapter XIII · Intelligence and Espionage

“You take an oath to a man whom you know follows the laws of providence, which he obeys independently of the influence of earthly powers, who leads the German people rightly, and who will guide Germany's fate. Through your oath you bind yourselves to a man who — that is our faith — was sent to us by higher powers. Do not seek Adolf Hitler with your mind. You will find him through the strength of your hearts!”

Rudolf Hess (1894–1987) German Nazi leader

"The Oath to Adolf Hitler" (1934)