Quotes about war and peace

Under Fire (1916), Ch. 24 - The Dawn

Under Fire (1916), Ch. 24 - The Dawn

Under Fire (1916), Ch. 24 - The Dawn

Under Fire (1916), Ch. 1 - The Vision

As translated by John Rodker
The Inferno (1917)

Light (1919), Ch. XVI - De Profundis Clamavi
Context: We cannot say out of what historical conjunctions the final tempests will issue, nor by what fancy names the interchangeable ideals imposed on men will be known in that moment. But the cause — that will perhaps everywhere be fear of the nations' real freedom. What we do know is that the tempests will come.
Armaments will increase every year amid dizzy enthusiasm. The relentless torture of precision seizes me. We do three years of military training; our children will do five, they will do ten. We pay two thousand million francs a year in preparation for war; we shall pay twenty, we shall pay fifty thousand millions. All that we have will be taken; it will be robbery, insolvency, bankruptcy. War kills wealth as it does men; it goes away in ruins and smoke, and one cannot fabricate gold any more than soldiers. We no longer know how to count; we no longer know anything. A billion — a million millions — the word appears to me printed on the emptiness of things. It sprang yesterday out of war, and I shrink in dismay from the new, incomprehensible word.
There will be nothing else on the earth but preparation for war. All living forces will be absorbed by it; it will monopolize all discovery, all science, all imagination.

Light (1919), Ch. XXII - Light
Context: I believe, in spite of all, in truth's victory. I believe in the momentous value, hereafter inviolable, of those few truly fraternal men in all the countries of the world, who, in the oscillation of national egoisms let loose, stand up and stand out, steadfast as the glorious statues of Right and Duty.

Light (1919), Ch. XXIII - Face To Face
Context: To live is to be happy to live. The usefulness of life — ah! its expansion has not the mystic shapes we vainly dreamed of when we were paralyzed by youth. Rather has it a shape of anxiety, of shuddering, of pain and glory. Our heart is not made for the abstract formula of happiness, since the truth of things is not made for it either. It beats for emotion and not for peace. Such is the gravity of the truth.

Under Fire (1916), Ch. 24 - The Dawn
Context: There are all those things against you. Against you and your great common interests which as you dimly saw are the same thing in effect as justice, there are not only the sword-wavers, the profiteers, and the intriguers.
There is not only the prodigious opposition of interested parties — financiers, speculators great and small, armorplated in their banks and houses, who live on war and live in peace during war, with their brows stubbornly set upon a secret doctrine and their faces shut up like safes.
There are those who admire the exchange of flashing blows, who hail like women the bright colors of uniforms; those whom military music and the martial ballads poured upon the public intoxicate as with brandy; the dizzy-brained, the feeble-minded, the superstitious, the savages.
There are those who bury themselves in the past, on whose lips are the sayings only of bygone days, the traditionalists for whom an injustice has legal force because it is perpetuated, who aspire to be guided by the dead, who strive to subordinate progress and the future and all their palpitating passion to the realm of ghosts and nursery-tales.
With them are all the parsons, who seek to excite you and to lull you to sleep with the morphine of their Paradise, so that nothing may change. There are the lawyers, the economists, the historians — and how many more? — who befog you with the rigmarole of theory, who declare the inter-antagonism of nationalities at a time when the only unity possessed by each nation of to-day is in the arbitrary map-made lines of her frontiers, while she is inhabited by an artificial amalgam of races; there are the worm-eaten genealogists, who forge for the ambitious of conquest and plunder false certificates of philosophy and imaginary titles of nobility. The infirmity of human intelligence is short sight. In too many cases, the wiseacres are dunces of a sort, who lose sight of the simplicity of things, and stifle and obscure it with formulae and trivialities. It is the small things that one learns from books, not the great ones.
And even while they are saying that they do not wish for war they are doing all they can to perpetuate it. They nourish national vanity and the love of supremacy by force. "We alone," they say, each behind his shelter, "we alone are the guardians of courage and loyalty, of ability and good taste!" Out of the greatness and richness of a country they make something like a consuming disease. Out of patriotism — which can be respected as long as it remains in the domain of sentiment and art on exactly the same footing as the sense of family and local pride, all equally sacred — out of patriotism they make a Utopian and impracticable idea, unbalancing the world, a sort of cancer which drains all the living force, spreads everywhere and crushes life, a contagious cancer which culminates either in the crash of war or in the exhaustion and suffocation of armed peace.
They pervert the most admirable of moral principles. How many are the crimes of which they have made virtues merely by dowering them with the word "national"? They distort even truth itself. For the truth which is eternally the same they substitute each their national truth. So many nations, so many truths; and thus they falsify and twist the truth.
Those are your enemies. All those people whose childish and odiously ridiculous disputes you hear snarling above you — "It wasn't me that began, it was you!" — "No, it wasn't me, it was you!" — "Hit me then!" — "No, you hit me!" — those puerilities that perpetuate the world's huge wound, for the disputants are not the people truly concerned, but quite the contrary, nor do they desire to have done with it; all those people who cannot or will not make peace on earth; all those who for one reason or another cling to the ancient state of things and find or invent excuses for it — they are your enemies!
They are your enemies as much as those German soldiers are to-day who are prostrate here between you in the mud, who are only poor dupes hatefully deceived and brutalized, domestic beasts. They are your enemies, wherever they were born, however they pronounce their names, whatever the language in which they lie. Look at them, in the heaven and on the earth. Look at them, everywhere! Identify them once for all, and be mindful for ever!

Light (1919), Ch. XVI - De Profundis Clamavi
Context: The spectacle of to-morrow is one of agony. Wise men make laughable efforts to determine what may be, in the ages to come, the cause of the inhabited world's end. Will it be a comet, the rarefaction of water, or the extinction of the sun, that will destroy mankind? They have forgotten the likeliest and nearest cause — Suicide.
They who say, "There will always be war," do not know what they are saying. They are preyed upon by the common internal malady of shortsight. They think themselves full of common-sense as they think themselves full of honesty. In reality, they are revealing the clumsy and limited mentality of the assassins themselves.
The shapeless struggle of the elements will begin again on the seared earth when men have slain themselves because they were slaves, because they believed the same things, because they were alike.

Under Fire (1916), Ch. 24 - The Dawn
Context: Waking, Paradis and I look at each other, and remember. We return to life and daylight as in a nightmare. In front of us the calamitous plain is resurrected, where hummocks vaguely appear from their immersion, the steel-like plain that is rusty in places and shines with lines and pools of water, while bodies are strewn here and there in the vastness like foul rubbish, prone bodies that breathe or rot.
Paradis says to me, "That's war."
"Yes, that's it," he repeats in a far-away voice, "that's war. It's not anything else."
He means — and I am with him in his meaning — "More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth. It is that, that endless monotony of misery, broken, by poignant tragedies; it is that, and not the bayonet glittering like silver, nor the bugle's chanticleer call to the sun!"
Paradis was so full of this thought that he ruminated a memory, and growled, "D'you remember the woman in the town where we went about a bit not so very long ago? She talked some drivel about attacks, and said, 'How beautiful they must be to see!'"
A chasseur who was full length on his belly, flattened out like a cloak, raised his bead out of the filthy background in which it was sunk, and cried, 'Beautiful? Oh, hell! It's just as if an ox were to say, 'What a fine sight it must be, all those droves of cattle driven forward to the slaughter-house!'

Under Fire (1916), Ch. 24 - The Dawn
Context: Waking, Paradis and I look at each other, and remember. We return to life and daylight as in a nightmare. In front of us the calamitous plain is resurrected, where hummocks vaguely appear from their immersion, the steel-like plain that is rusty in places and shines with lines and pools of water, while bodies are strewn here and there in the vastness like foul rubbish, prone bodies that breathe or rot.
Paradis says to me, "That's war."
"Yes, that's it," he repeats in a far-away voice, "that's war. It's not anything else."
He means — and I am with him in his meaning — "More than attacks that are like ceremonial reviews, more than visible battles unfurled like banners, more even than the hand-to-hand encounters of shouting strife, War is frightful and unnatural weariness, water up to the belly, mud and dung and infamous filth. It is befouled faces and tattered flesh, it is the corpses that are no longer like corpses even, floating on the ravenous earth. It is that, that endless monotony of misery, broken, by poignant tragedies; it is that, and not the bayonet glittering like silver, nor the bugle's chanticleer call to the sun!"
Paradis was so full of this thought that he ruminated a memory, and growled, "D'you remember the woman in the town where we went about a bit not so very long ago? She talked some drivel about attacks, and said, 'How beautiful they must be to see!'"
A chasseur who was full length on his belly, flattened out like a cloak, raised his bead out of the filthy background in which it was sunk, and cried, 'Beautiful? Oh, hell! It's just as if an ox were to say, 'What a fine sight it must be, all those droves of cattle driven forward to the slaughter-house!'

Under Fire (1916), Ch. 24 - The Dawn
Context: Paradis, possessed by his notion, waved his hand towards the wide unspeakable landscape. and looking steadily on it repeated his sentence, 'War is that. It is that everywhere. What are we, we chaps, and what's all this here? Nothing at all. All we can see is only a speck. You've got to remember that this morning there's three thousand kilometers of equal evils, or nearly equal, or worse."
"And then," said the comrade at our side, whom we could not recognize even by his voice, "to-morrow it begins again. It began again the day before yesterday, and all the days before that!"

The Inferno (1917), Ch. XIV
Context: I wanted to know the secret of life. I had seen men, groups, deeds, faces. In the twilight I had seen the tremulous eyes of beings as deep as wells. I had seen the mouth that said in a burst of glory, "I am more sensitive than others." I had seen the struggle to love and make one's self understood, the refusal of two persons in conversation to give themselves to each other, the coming together of two lovers, the lovers with an infectious smile, who are lovers in name only, who bury themselves in kisses, who press wound to wound to cure themselves, between whom there is really no attachment, and who, in spite of their ecstasy deriving light from shadow, are strangers as much as the sun and the moon are strangers. I had heard those who could find no crumb of peace except in the confession of their shameful misery, and I had seen faces pale and red-eyed from crying. I wanted to grasp it all at the same time. All the truths taken together make only one truth. I had had to wait until that day to learn this simple thing. It was this truth of truths which I needed.
Not because of my love of mankind. It is not true that we love mankind. No one ever has loved, does love, or will love mankind. It was for myself, solely for myself, that I sought to attain the full truth, which is above emotion, above peace, even above life, like a sort of death. I wanted to derive guidance from it, a faith. I wanted to use it for my own good.

Under Fire (1916), Ch. 24 - The Dawn
Context: It's with us only that they make battles. It is we who are the material of war. War is made up of the flesh and the souls of common soldiers only. It is we who make the plains of dead and the rivers of blood, all of us, and each of us is invisible and silent because of the immensity of our numbers. The emptied towns and the villages destroyed, they are a wilderness of our making. Yes, war is all of us, and all of us together.

Light (1919), Ch. XVI - De Profundis Clamavi
Context: War will come again after this one. It will come again as long as it can be determined by people other than those who fight. The same causes will produce the same effects, and the living will have to give up all hope.

http://www.flixster.com/actor/leonardo-di-caprio/leonardo-dicaprio-quotes

Variant translation: The man who runs away will fight again.
Monosticha.

Source: A Companion to Jan Hus (2015), p. 194.