Quotes about kimono

A collection of quotes on the topic of kimono.

Quotes about kimono

“A novelist can’t be without a kimono and pen!(Shigure)”

Natsuki Takaya (1973) Manga artist

Source: Fruits Basket, Vol. 1

“The road was frozen. The village lay quiet under the cold sky. Komako hitched up the skirt of her kimono and tucked it into her obi. The moon shone like a blade frozen in blue ice.”

Yasunari Kawabata book Snow Country

Source: Snow Country

“Then there was this extra on the set who runs up to me and says, "Oh, I know you! I know who you is, I seen you before. You that comedienne, Margaret Cho! I saw you at the Comedy Store. You was wearin' a kimono and you was bowin'." "No, that's the other one." "Oh, right! Now I remember. I just didn't recognize you because you've put on a little weight since your show." And it didn't piss me off that she said that, but it was that she said, "You put on a lot of *gestures* weight!" so I'll know exactly where I put it. And it pissed me off, so I just sort of talked about it to everybody for the whole day. The next day I come into work and the assistant producer comes over to me and says, "Uh, you know that lady from the other day? Well, don't worry. We took care of her."”

Margaret Cho (1968) American stand-up comedian

Oh my God! What did you do?! Suddenly I felt like I was running around like this tyrant, all drunk with power- "Nobody can call me fat on this set!"
From Her Tours and CDs, Drunk With Power CD

God

“Because so many of our writers were born in ugly environments, in monstrous poverty and humilitation, they continue to assert that this is the natural environment, reality, and that beauty is artifice. Why should the natural state be ugliness? Natural to whom? We may be born in ugliness, but the natural consequences should be a thirst for its opposite. To mistake ugliness for reality is one of the frauds of the realistic school. A hunger for the unknown, and an aspiration towards beauty were inseparable from civilization. In America the word art was distorted to mean artificial.
We are born with the power to alter what we are given at birth.
When the Japanese paint flowers or the sea on a kimono they mean to establish a link with nature. But they select only what is beautiful in nature to maintain their love of life.
The creative personality never remains fixed on the first world it discovers. It never resigns itself to anything. That is the deepest meaning of rebellion, not the wearing of different clothes, haircuts, or the adopting of other cultures.”

Anaïs Nin book The Novel of the Future

The Novel of the Future (1969)

School, Hunger, Clothes, Painting