Ronnie Coleman (1964) American bodybuilder
John W. Flores (November 14, 1999) "Body of Work: Police officer pours heart, soul into building muscles", The Dallas Morning News, p. 1C.
Ronnie Coleman (1964) American bodybuilder
John W. Flores (November 14, 1999) "Body of Work: Police officer pours heart, soul into building muscles", The Dallas Morning News, p. 1C.
Ronnie Coleman (1964) American bodybuilder
Raymond Linex (June 12, 1998) "Strong arm of the law - Arlington policeman sets sights on Mr. Olympia title", The Dallas Morning News, p. 1B.
Ronnie Coleman (1964) American bodybuilder
On his reaction being named the top professional bodybuilder in the world — reported in Nancy Kruh (October 3, 1999) "Ronnie Coleman- Nobody messes with this Arlington cop, a.k.a. Mr. Olympia", The Dallas Morning News, p. 1E.
“Hard work and training. There's no secret formula. I lift heavy, work hard and aim to be the best.”
Ronnie Coleman (1964) American bodybuilder
Herald Sun staff (October 13, 2006) "A good life, naturally", Herald Sun, p. 017.
Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher
Source: On Authority, see https://www.marxists.org/archive/marx/works/1872/10/authority.htm
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Friedrich Nietzsche book Beyond Good and Evil
Beyond Good and Evil, Aphorism 146
Variant: He who fights with monsters should look to it that he himself does not become a monster. And if you gaze long into an abyss, the abyss also gazes into you.
“Admiration for a quality or an art can be so strong that it deters us from striving to possess it.”
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
“The real world is much smaller than the imaginary”
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
“He who cannot put his thoughts on ice should not enter into the heat of dispute.”
Friedrich Nietzsche book Human, All Too Human
Source: Human, All Too Human
“If we train our conscience, it kisses us while it hurts”
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
“Love, too, has to be learned.”
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Source: The Gay Science
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
“I obviously do everything to be "hard to understand" myself”
Friedrich Nietzsche book Beyond Good and Evil
Source: Beyond Good and Evil
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
“One must pay dearly for immortality; one has to die several times while one is still alive.”
Friedrich Nietzsche book Ecce homo
Man büßt es theuer, unsterblich zu sein: man stirbt dafür mehrere Male bei Lebzeiten.
5
Ecce Homo (1888)
“What is the seal of liberation? — No longer being ashamed in front of oneself.”
Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Sec. 275
The Gay Science (1882)
Friedrich Nietzsche Untimely Meditations
“Schopenhauer as educator” ("Schopenhauer als Erzieher"), § 3.1, R. Hollingdale, trans. (1983), p. 127
Untimely Meditations (1876)
Context: In his heart every man knows quite well that, being unique, he will be in the world only once and that no imaginable chance will for a second time gather together into a unity so strangely variegated an assortment as he is: he knows it but he hides it like a bad conscience—why? From fear of his neighbor, who demands conventionality and cloaks himself with it. But what is it that constrains the individual to fear his neighbor, to think and act like a member of a herd, and to have no joy in himself? Modesty, perhaps, in a few rare cases. With the great majority it is indolence, inertia. … Men are even lazier than they are timid, and fear most of all the inconveniences with which unconditional honesty and nakedness would burden them. Artists alone hate this sluggish promenading in borrowed fashions and appropriated opinions and they reveal everyone’s secret bad conscience, the law that every man is a unique miracle.