“To tell you the truth, I've just been avoiding everything.”

Source: His Dark Materials, The Amber Spyglass (2000), Ch. 32 : Morning
Context: One of the ghosts — an old woman — beckoned, urging her to come close.
Then she spoke, and Mary heard her say:
"Tell them stories. They need the truth. You must tell them true stories, and everything will be well, just tell them stories."
That was all, and then she was gone. It was one of those moments when we suddenly recall a dream that we’ve unaccountably forgotten, and back in a flood comes all the emotion we felt in our sleep. It was the dream she’d tried to describe to Atal, the night picture; but as Mary tried to find it again, it dissolved and drifted apart, just as these presences did in the open air. The dream was gone.
All that was left was the sweetness of that feeling, and the injunction to tell them stories.

Source: Home with God: In a Life That Never Ends

Making Love out of Nothing at All (1983)
Context: I know just how to fake it
And I know just how to scheme
I know just when to face the truth
And then I know just when to dream.
And I know just where to touch you
And I know just what to prove
I know when to pull you closer
And I know when to let you loose.
And I know the night is fading
And I know the time's gonna fly
And I'm never gonna tell you everything I gotta tell you
But I know I've got to give it a try.
And I know the roads to riches
And I know the ways to fame
I know all the rules and then I know how to break'em
And then I always know the name of the game
But I don't know how to leave you
And I'll never let you fall
And I don't know how you do it
Making love out of nothing at all.

Himself (1983)

Shot Through The Heart
Music, Bon Jovi (1984)

Source: Memoirs of a Geisha

Source: His Dark Materials, The Subtle Knife (1997), Ch. 4 : Trepanning

Criminal
Song lyrics, Tidal (1996)