“We took the elevator back down from the first observation level of the Eiffel Tower and started walking in he direction of the Taj Mahal”

Source: Seizure

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. II : The Fellow-Craft, p. 44
Context: Refined society requires greater minuteness of regulation; and the steps of all advancing States are more and more to be picked among the old rubbish and the new materials. The difficulty lies in discovering the right path through the chaos of confusion. The adjustment of mutual rights and wrongs is also more difficult in democracies. We do not see and estimate the relative importance of objects so easily and clearly from the level or the waving land as from the elevation of a lone peak, towering above the plain; for each looks through his own mist.

Here's Your Sign: Live! (2004)
Here's Your Sign

Introduction
Higher Mathematics for Chemical Students (1911)
Context: The results of a scrutiny of the materials of chemical science from a mathematical standpoint are pronounced in two directions. In the first we observe crude, qualitative notions, such as fire-stuff, or phlogiston, destroyed; and at the same time we perceive definite measurable quantities such as fixed air, or oxygen, taking their place. In the second direction we notice the establishment of generalizations, laws, or theories, in which a mass of quantitative data is reduced to order and made intelligible. Such are the law of conservation of matter, the laws of chemical combination, and the atomic theory.

A la fin tu es las de ce monde ancien
Bergère ô tour Eiffel le troupeau des ponts bêle ce matin
Tu en as assez de vivre dans l'antiquité grecque et romaine
"Zone", line 1; translation from Donald Revell (trans.) Alcools (Hanover, NH: Wesleyan University Press, 1995) p. 3.
Alcools (1912)

Hey Now
(What's the Story) Morning Glory? (1995)

(10 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: The writing of a novel or short story or poem or whatever should elevate the audience, not drag the writer down to some level beneath herself. And she — the author — should fight always to prevent that dragging down, especially when the only possible benefit of allowing it to happen is monetary.

Was the World Made for Man? (1903): also p. 106, What is man?: and other philosophical writings, Volume 19 of Works, 1993, Mark Twain, Paul Baender, University of California Press