“People think boundaries and borders build nations. Nonsense-words do. Beliefs, declarations, constitutions-words. Stories. Myths. Lies. Promises. History”

Source: The Passionate Life (1983), p. 20

A Cabinet of Jewels

Interview in regard to his work Rites of Passage, quoted in The Dreams of William Golden, BBC Arena (2012)

State of the Nation" webcast], Answers in Genesis (February 16, 2010)

Campaign launch rally, 15/6/15
2010s, 2015

Myth and Reality (1963)
Context: For the past fifty years at least, Western scholars have approached the study of myth from a viewpoint markedly different from, let us say, that of the nineteenth century. Unlike their predecessors, who treated myth in the usual meaning of the word, that is, as "fable," "invention," "fiction," they have accepted it as it was understood in archaic societies, where, on the contrary, "myth" means a "true story" and, beyond that, a story that is a most precious possession because it is sacred, exemplary, significant. This new semantic value given the term "myth" makes its use in contemporary parlance somewhat equivocal. Today, that is, the word is employed both in the sense of "fiction" or "illusion" and in that familiar especially to ethnologists, sociologists, and historians of religions, the sense of "sacred tradition, primordial revelation, exemplary model." … the Greeks steadily continued to empty mythos of all religious and metaphysical value. Contrasted both with logos and, later, with historia, mythos came in the end to denote "what cannot really exist." On its side, Judaeo-Christianity put the stamp of "falsehood" and "illusion" on whatever was not justified or validated by the two Testaments.

The Province of History (c. 1856), Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 620
1850s
Context: The world's history is a divine poem, of which the history of every nation is a canto, and every man a word. Its strains have been pealing along down the centuries, and though there have been mingled the discords of warring cannon and dying men, yet to the Christian philosopher and historian — the humble listener — there has been a Divine melody running through the song which speaks of hope and halcyon days to come.

Oath of the four Grant children, first used in Ch. 2 : And Continues
The Ship that Flew (1939)

Source: Dave Barry Slept Here: A Sort of History of the United States