“Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.”

Last update Sept. 27, 2023. History

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Oscar Wilde812

Irish writer and poet 1854–1900

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“And what difference is there in the color of the soul?”

Solomon Northup book Twelve Years a Slave

Variant: What difference is there in the color of the soul?
Source: Twelve Years a Slave

“In its extreme form self-awareness manifests itself in notions such as that of the soul, but in simple form it merely means to be aware of oneself as an individual among others.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins (1977)

“Value differences in painting always cut in; color differences always go side by side. Laterally. Color differences can illustrate three dimensional form, but using color in terms of hue belongs more properly to painting than modelling with dark and light [as in sculpting] does.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 22
Conversation with Karen Wilkin' (1986-1988)

“Truth can be stated in a thousand different ways, yet each one can be true.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

“The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint. … I found I could say things with color and shapes that I couldn't say any other way — things I had no words for.”

Georgia O'Keeffe (1887–1986) American artist

1970 - 1986, Some Memories of Drawings (1976)
Context: It is surprising to me to see how many people separate the objective from the abstract. Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or a tree. It is lines and colours put together so that they say something. For me that is the very basis of painting. The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint. … I found I could say things with color and shapes that I couldn't say any other way — things I had no words for.<!-- Also quoted in Georgia O’Keeffe: Nature and Abstraction (2007), edited by Richard Marshall, p. 13

“Let's give this entity which you call soul another name. Soul has too many incorrect meanings for humans, too many verbal reverberations, too many contrary definitions.
Speak the word soul, and unbelievers will automatically become deaf to what follows. Those who believe in souls will always hear you through the mental constructs that they formed on Earth. Let us call this nonmatter twin the… ah… ka.”

Philip José Farmer (1918–2009) American science fiction writer

That is the old Egyptian word for one of the several souls in their religion. Except for the Egyptians this will have no special connotation. And they can adapt to it.
Source: The Riverworld series, The Magic Labyrinth (1980), Ch. 20

“We all have one idea of what the color blue is, but pressed to describe it specifically, there are so many ways: the ocean, lapis lazuli, the sky, someone's eyes. Our definitions are as different as we are ourselves.”

Sarah Dessen Lock and Key

Source: Lock and Key

“You know well enough what I mean by youth and age;—something in the soul, which has no more to do with the color of the hair than the vein of gold in a rock has to do with the grass a thousand feet above it.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

“Since the form is only an expression of the content and the content is different with different artists, it is then clear that there can be many different forms at the same time which are equally good. Necessity creates the form. Fish which live at great depths have no eyes. The elephant has a trunk. The chameleon changes its color, and so forth.”

Wassily Kandinsky (1866–1944) Russian painter

1910 - 1915, On the Problem of Form (1912)

“The impressions we receive, which often appear merely chaotic, consist of three elements; the impression of the color of the object, its form, and of its combined color and form, i. e., of the object itself. At this point the individuality of the artist comes to the front and disposes, as he wills, these three elements. It is clear, therefore, that the choice of object (i. e., of one of the elements in the harmony of form) must be decided only by a corresponding vibration in the human soul..”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, Munich, 1910; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 450
1910 - 1915

“Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.”

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