
“And what difference is there in the color of the soul?”
Variant: What difference is there in the color of the soul?
Source: Twelve Years a Slave
“And what difference is there in the color of the soul?”
Variant: What difference is there in the color of the soul?
Source: Twelve Years a Slave
Kenneth Noland, p. 22
Conversation with Karen Wilkin' (1986-1988)
“Truth can be stated in a thousand different ways, yet each one can be true.”
Pearls of Wisdom
1970 - 1986, Some Memories of Drawings (1976)
Context: It is surprising to me to see how many people separate the objective from the abstract. Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or a tree. It is lines and colours put together so that they say something. For me that is the very basis of painting. The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint. … I found I could say things with color and shapes that I couldn't say any other way — things I had no words for.<!-- Also quoted in Georgia O’Keeffe: Nature and Abstraction (2007), edited by Richard Marshall, p. 13
That is the old Egyptian word for one of the several souls in their religion. Except for the Egyptians this will have no special connotation. And they can adapt to it.
Source: The Riverworld series, The Magic Labyrinth (1980), Ch. 20
The Autocrat of the Breakfast Table (1858)
Quote of Kandinsky, Munich, 1910; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 450
1910 - 1915