
Letter to Shirley Wiley (30 March 1954), in The Letters of E. B. White (1989), p. 391
Letter to Shirley Wiley (30 March 1954), in The Letters of E. B. White (1989), p. 391
Burn This Book, p. 2 (2009)
Context: We all know nations that can be identified by the flight of writers from their shores. These are regimes whose fear of unmonitored writing is justified because truth is trouble. It is trouble for the warmonger, the torturer, the corporate thief, the political hack, the corrupt justice system, and for a comatose public. Unpersecuted, unjailed, unharrassed writers are trouble for the ignorant bully, the sly racist, and the predators feeding off the world’s resources. The alarm, the disquiet, writers raise is instructive because it is open and vulnerable, because if unpoliced it is threatening. Therefore the historical suppression of writers is the earliest harbinger of the steady peeling away of additional rights and liberties that will follow.
Penguins and Golden Calves (2003)
Context: I have advice for people who want to write. I don't care whether they're 5 or 500. There are three things that are important: First, if you want to write, you need to keep an honest, unpublishable journal that nobody reads, nobody but you. Where you just put down what you think about life, what you think about things, what you think is fair and what you think is unfair. And second, you need to read. You can't be a writer if you're not a reader. It's the great writers who teach us how to write. The third thing is to write. Just write a little bit every day. Even if it's for only half an hour — write, write, write.
“In every man's writings, the character of the writer must lie recorded.”
Goethe (1828).
1820s, Critical and Miscellaneous Essays (1827–1855)
Source: On a writer’s responsibility in “The Literature of Uprootedness: An Interview with Reinaldo Arenas” https://www.newyorker.com/books/page-turner/the-literature-of-uprootedness-an-interview-with-reinaldo-arenas in The New Yorker (2013 Dec 5)
As quoted in "Master of the Secret World: John le Carré on Deception, Storytelling and American Hubris" by Andrew Ross, in Salon (21 October 1996); also in Conversations with John le Carré (2004) edited by Matthew Joseph Bruccoli and Judith Baughman, p. 140
“I don't think you can write according to a set of rules and laws; every writer is so different.”
an interview with kiran desai http://www.randomhouse.com/boldtype/0599/desai/interview.html, Random House
“A writer writes what he knows, in ways that are natural to him.”
Source: Shifu: You'll Do Anything for a Laugh and Other Stories