
Original: (it) Non ho mai scelto la vita facile, ho sempre scelto ciò che sentivo nel cuore, perché io vivo di sentimenti... di ciò che provo, non di opportunismo, non di falsità... ma di cose semplici, vere.
Source: prevale.net
Source: Philip Larkin: Letters to Monica
Original: (it) Non ho mai scelto la vita facile, ho sempre scelto ciò che sentivo nel cuore, perché io vivo di sentimenti... di ciò che provo, non di opportunismo, non di falsità... ma di cose semplici, vere.
Source: prevale.net
Source: Autobiography of Mark Twain, Vol. 2 (2013), p. 475
Quote in Chagall's letter to A. N. Benois, 1911, as cited in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 146
1910's
The Tragic Sense of Life (1913), VI : In the Depths of the Abyss
Context: Yes, I know well that others before me have felt what I feel and express; that many others feel it today, although they keep silence about it.... And I do not keep silence about it because it is for many the thing which must not be spoken, the abomination of abominations — infandum — and I believe that it is necessary now and again to speak the thing which must not be spoken.... Even if it should lead only to irritating the devotees of progress, those who believe that truth is consolation, it would lead to not a little. To irritating them and making them say: "Poor fellow! if he would only use his intelligence to better purpose!... Someone perhaps will add that I do not know what I say, to which I shall reply that perhaps he may be right — and being right is such a little thing! — but that I feel what I say and I know what I feel and that suffices me. And that it is better to be lacking in reason than to have too much of it.
On an article by Qunta magazine(when asked: Is there one big question that has always guided you?) https://www.quantamagazine.org/michael-atiyahs-mathematical-dreams-20160303
Context: I always want to try to understand why things work. I’m not interested in getting a formula without knowing what it means. I always try to dig behind the scenes, so if I have a formula, I understand why it’s there. And understanding is a very difficult notion. People think mathematics begins when you write down a theorem followed by a proof. That’s not the beginning, that’s the end. For me the creative place in mathematics comes before you start to put things down on paper, before you try to write a formula. You picture various things, you turn them over in your mind. You’re trying to create, just as a musician is trying to create music, or a poet. There are no rules laid down. You have to do it your own way. But at the end, just as a composer has to put it down on paper, you have to write things down. But the most important stage is understanding. A proof by itself doesn’t give you understanding. You can have a long proof and no idea at the end of why it works. But to understand why it works, you have to have a kind of gut reaction to the thing. You’ve got to feel it.
This is not Harry Potter http://www.youtube.com/watch?v=lFZaCxfiUHs
Songs