“The answer to injustice is not to silence the critic, but to end the injustice.”
“Good, bad, and indifferent - It takes all sorts to make a world.”
Variant: It takes all sorts to make a world.
Source: The Wind in the Willows (1908), Ch. 4
Context: The Wild Wood is pretty well populated by now; with all the usual lot, good, bad, and indifferent — I name no names. It takes all sorts to make a world.
A response to the Nazi book burnings, in "To Posterity" (1939) as translated by H. R. Hays (1947)
Context: Do not treat me in this fashion. Don't leave me out. Have I not
Always spoken the truth in my books? And now
You treat me like a liar! I order you:
Burn me!
Those who lead the country into the abyss
Call ruling too difficult
For ordinary men.
Ah, what an age it is
When to speak of trees is almost a crime
For it is a kind of silence about injustice!
IX. On Providence, Fate, and Fortune.
On the Gods and the Cosmos
Context: To believe that human things, especially their material constitution, are ordered not only by celestial beings but by the celestial bodies is a reasonable and true belief. Reason shows that health and sickness, good fortune and bad fortune, arise according to our deserts from that source. But to attribute men's acts of injustice and lust to fate, is to make ourselves good and the Gods bad. Unless by chance a man meant by such a statement that in general all things are for the good of the world and for those who are in a natural state, but that bad education or weakness of nature changes the goods of Fate for the worse. Just as it happens that the Sun, which is good for all, may be injurious to persons with ophthalmia or fever.
"Remaining Awake Through a Great Revolution", sermon at the National Cathedral, 31 March 1968, published in A Testament of Hope (1986)
1960s
Source: A Testament of Hope: The Essential Writings and Speeches
Source: This Way for the Gas, Ladies and Gentlemen
Latin statement in De Quattuor Sectis Novellis, as translated in Typical English Churchmen (1909) by John Neville Figgis, p. 16
Variant: There are times when silence becomes an accomplice to injustice.
Source: Infidel
1951 - 1968, The Creative Act', 1957
Context: I want to clarify our understanding of the word 'art' – to be sure, without an attempt to a definition. What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way as a bad emotion is still an emotion.
Therefore, when I refer to 'art coefficient', it will be understood that I refer not only to great art, but I am trying to describe the subjective mechanism which produces art in a raw state – 'à l'état brute' – bad, good or indifferent.
