Stephie Pahlavi Zan quote: “There are certain songs that can really cause you to re-experience an overwhelming melancholy which leads to tears when…”

“The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.”

Jennifer Egan A Visit from the Goon Squad

Source: A Visit from the Goon Squad

“Cause we are sick and tired of hearing your song,
Telling us how you are gonna change right from wrong,
'Cause if you really want to hear our views,
You haven't done nothin.”

Stevie Wonder (1950) American musician

You Haven't Done Nothin
Song lyrics, Fulfillingness' First Finale (1974)

“Don't look behind
'Cause a tear that never dries
Can only make you blind.”

Ronnie James Dio (1942–2010) American singer

"Like the Beat of a Heart" on Sacred Heart (1985)
Lyrics

“a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in you or the world, that one song stays the same, just like that moment. Which is pretty amazing, when you actually think about it.”

Sarah Dessen book Just Listen

Variant: because a song can take you back instantly to a moment, or a place, or even a person. no matter what else has changed in you or the world, that one song stays the same, just like that moment.
Source: Just Listen

“Dicko: I thought you sung a dismal song really well. You said it was a challenge for you. It was a challenge for me to listen to it cause I just couldn't follow it. I wanted to party tonight. I thought there were some great songs and that was just a bit of a speed bump in the evening for me and it's a shame cause I think you are growing. I wanted you to tear it up tonight and I think the song weighed you down but I thought you delivered it well.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 10

“The first song I ever wrote back then was the song that landed me the job as composer at Westwood Studios, which was remarkable for me at the time. It was basically an acoustic guitar song with electric guitar leads and keyboard strings, and raining sound effects in the background. If I had to compare it to anything, it was probably similar to an interlude Queensryche song. I never released this song before, but I've recently been thinking about re-recording it with the experience I have now and really making it sound proper. Maybe one day.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

“Lead the ideas of your time and they will accompany and support you; fall behind them and they drag you along with them; oppose them and they will overwhelm you.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Napoleon : In His Own Words (1916)

“But now if I can wrap myself up in that song, and when that song gets to be a part of me, and affects me emotionally, then the emotions that I go through, chances are I’ll be able to communicate to you. Make the people out there become a part of the life of this song that you’re singing about. That’s soul when you can do that.”

Ray Charles (1930–2004) American musician

http://interview.sweetsearch.com/2010/11/ray-charles.html
A symposium on soul, Pop Chronicles, Show 15: The Soul Reformation http://digital.library.unt.edu/explore/partners/UNTML/browse/?start=14&fq=untl_collection%3AJGPC, interview recorded 3.8.1968 http://web.archive.org/web/20100116003442/http://www.library.unt.edu/music/special-collections/john-gilliland/index-to-interviews.

“'Live for Loving You' is a kind of song that really can live in many different genres. And, of course, when you do your live performances the first time that you perform a song you want to stay true to the record: because tha's what people want to hear, they want to hear the hit. But then after you have done it fifty thousand times and through many, many different tours, you start experimenting and doing stuff to surprise people. So, the cut that we are doing here for the "iTunes Orginal" is something that we love to do -- because we just took it and really broke it down to a Samba. You know, the Brazilians have an amazing edge -- percussively, I think -- they have amazing rhythms. And this song really fit that rhythm very nicely. So, we wanted to do it acoustically and really cool -- and like we've done many times on tour. Just break it down to just acoustic, no synths and things of that nature: just make it organic. And I love that song for that reason: because you could perform it with just a couple of bongos and some vocals if you had to. And it would still work.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

iTunes interview (released June 2, 2007)
2007, 2008

“You don’t want to be
down in the trenches,
remembering with me,
where you will not mark my leaving,
and you will not hear my parting song.
Nor is there cause for grieving.
Nor is there cause for carrying on.”

Joanna Newsom (1982) American musician

Anecdotes
Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)
Context: In the folds and the branches,
somewhere, out there,
I was only just born into open air.
Now hush, little babe.
You don’t want to be
down in the trenches,
remembering with me,
where you will not mark my leaving,
and you will not hear my parting song.
Nor is there cause for grieving.
Nor is there cause for carrying on.

“There are certain songs that can really cause you to re-experience an overwhelming melancholy which leads to tears when you hear them. But it's actually not the song that makes you cry, it is the people behind the memories.”

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