“The art audience is very receptive to what I do. It's a mutual influence.”

— Carolee Schneemann

Source: [Carolee Scheenmann quotes, ThinkExist.com, March 13, 2014]

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Carolee Schneemann 3

American photographer, performance artist, and video artist 1939–2019

Richard M. Weaver (1910–1963) American scholar

“Relativism and the Use of Language,” pp. 123-124.
Language is Sermonic (1970)
Context: If we share to a large extent in the mutuality of spirit which makes meaning possible, we are receptive to true meanings; if we do not, we may accept wrong or perverted ones. And since there is no way of getting outside the human imagination to decide otherwise what a word should mean, we are compelled to realize that the most imaginative users of language are those who are going to have the greatest influence upon vocabulary in the long run.

“I spend very little time just doing '“art as art.'”

Ai Weiwei (1957) Chinese concept artist

Jones, Alice. “ Ten People Who Changed the World: Ai Weiwei, Chinese Artist, Became a Truly Global Force http://www.independent.co.uk/arts-entertainment/art/features/ten-people-who-changed-the-world-ai-weiwei-chinese-artist-became-a-truly-global-force-6282327.html.” Independent, December 31, 2011.
2010-, 2011

“Outside the big idea that there is art I don't think of other's paintings. But I defend the idea of art and know that it is made up of all these paintings. Classic pictures are objects that may or may not influence what you're doing, just like anything else. Like the radio... But it hasn't anything to do with your own art or the artist's intention.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

“I think the main thing I do every show, and I guess most performers do this, is engaging the audience, but I like to engage the audience in a very direct way right off the bat by starting the show with giving them the choice to participate or not because that’s the choice. By choosing to participate or not, you’re participating. Do you know what I mean? And I can figure out what their level of participation’s going to be and where I can go into crowd.”

Dan Deacon (1981) American musician

How Does Dan Deacon Work? http://www.slate.com/articles/podcasts/working/2017/05/working_in_baltimore_how_does_dan_deacon_work.html (May 9, 2017)

“It's like Impressionism. They all do it at the Salons. Oh, very discreetly! I too was an Impressionist. I don't conceal the fact. Pissarro had an enormous influence on me. But I wanted to make out of Impressionism something solid and lasting like the art of the museums.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'

“One has very little influence upon one's children. Their characters are what they are and one can do nothing to change them.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Family Life

“We are very much what others think of us. The reception our observations meet with gives us courage to proceed, or damps our efforts.”

William Hazlitt (1778–1830) English writer

No. 364
Characteristics, in the manner of Rochefoucauld's Maxims (1823)

“The relation of feeling toward art and its bringing-forth can be one of production or one of reception and enjoyment.”

Martin Heidegger (1889–1976) German philosopher

Source: Nietzsche (1961), p. 78

“I am leaving in order to have peace and quiet, to be rid of the influence of civilization. I want only to do simple, very simple art, and to be able to do that, I have to immerse myself in virgin nature, see no one but savages, live their life, with no other thought in mind but to render, the way a child would, the concepts formed in my brain and to do this with the aid of nothing but the primitive means of art, the only means that are good and true.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 48: quoted in the interview 'Paul Gauguin Discussing His Paintings', Jules Huret, printed in L'Écho de Paris, (23 February 1891)

“Everything that I do is very autobiographical. I’m trying to be as much of an open book as possible and give the audience every single piece of me.”

Dua Lipa (1995) English singer and songwriter

Dua Lipa Plays With Boundaries, Interview, 2017-03-29 https://www.interviewmagazine.com/music/dua-lipa,

“The art audience is very receptive to what I do. It's a mutual influence.”

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