
Source: Letter to A.S. Suvorin (November 18, 1891)
Source: Pope Francis will travel to Romania in 2019 https://www.catholicnewsagency.com/news/39960/pope-francis-will-travel-to-romania-in-2019 (20 November 2018)
Source: Letter to A.S. Suvorin (November 18, 1891)
Source: Pope Francis & Married Catholic Priests: Q&A with Bishop John of Parma https://www.americamagazine.org/content/all-things/pope-francis-married-catholic-priests-qa-bishop-john-parma (3 December 2014)
24 September 2015 http://www.pravmir.com/west-should-learn-from-russia-to-accept-muslim-refugees-patriarch-kirill/ at a meeting with Palestinian leader Mahmoud Abbas at his residence in Peredelkino, Moscow Region.
Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), pp. 87-88
"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).
“If you live in New York, even if you're Catholic, you're Jewish”
Source: Seeking the pearl of great price https://mercatornet.com/seeking_the_pearl_of_great_price/8854/ (October 22, 2009)
“Creativity arises out of the tension between spontaneity and limitations”
Source: The Courage to Create (1975), Ch. 6 : On the Limits of Creativity, p. 115
Context: Creativity arises out of the tension between spontaneity and limitations, the latter (like the river banks) forcing the spontaneity into the various forms which are essential to the work of art or poem.