“It seems like in this beautiful planet we live in, everything has a place, but our generation is in a grey area where no one can assure us that we’ll be safe in a couple of years. We have been forced to fight for real climate action because we are the ones that will lose the most.”

April 30, 2020. Interview for UNILAD article. https://www.unilad.co.uk/featured/air-pollution-might-have-dropped-but-climate-change-is-still-ravaging-our-planet/

Adopted from Wikiquote. Last update Oct. 27, 2021. History

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Do you have more details about the quote "It seems like in this beautiful planet we live in, everything has a place, but our generation is in a grey area where n…" by Massin Akandouch?
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Massin Akandouch 5
Amazigh activist 2001

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“There can be no question of selecting in any direction, but of a penetrating the whole cosmic law of rhythms, forces and material that are the real world, from the ugliest to the most beautiful, everything that has character and expression, from the crudest and most brutal to the gentlest and most delicate; everything that speaks to us in its capacity as life. From this it follows that one must know all in order to be able to express all. It is the abolition of the aesthetic principle. We are not disillusioned because we have no illusions; we have never had any. What we have and what is our strength, is our joy in life; our interest in life, in all its amoral aspects. That is also the basis of our contemporary art. We do not even know the laws of aesthetics. That old idea of selection according to the beauty-principle Beautiful — Ugly, like to ethical Noble — Sinful, is dead for us, for whom the beautiful is also ugly and everything ugly is endowed with beauty. Behind the comedy and the tragedy we find only life's dramas uniting both; not in noble heroes and false villains, but people.”

Asger Jorn (1914–1973) Danish artist

Variant translations:
What we possess and what gives us strength is our joy in life, our interest in life in all its amoral facets. This is also the foundation for today's art. We do not even know the aesthetic laws.
We are not disillusioned because we have no illusions; we have never had any. What we have, and what constitutes our strength, is our joy in life, in all of its moral and amoral manifestations.
1940 - 1948, Intimate Banalities' (1941)

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