Source: Short fiction, The Man Who Sold The Moon (2014), p. 129
On risks of becoming famous after The Hunger Games. — November 1, 2012, Q&A: Liam Hemsworth on The Hunger Games and Losing Weight for His Role, Krista Smith, November 8, 2011, Vanity Fair, Conde Nast http://www.vanityfair.com/online/daily/2011/11/Liam-Hunger-Games-Post,
in a letter to Frédéric Bazille from Etretat, December 1868; as cited in: Mary Tompkins Lewis (2007) Critical Readings in Impressionism and Post-Impressionism. p. 83
1850 - 1870
Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 3, The truth squad, p. 36
Encountering Directors interview (1969)
Context: When a scene is being shot, it is very difficult to know what one wants it to say, and even if one does know, there is always a difference between what one has in mind and the result on film. I never think ahead of the shot I'm going to make the following day because if I did, I'd only produce a bad imitation of the original image in my mind. So what you see on the screen doesn't represent my exact meaning, but only my possibilities of expression, with all the limitations implied in that phrase. Perhaps the scene reveals my incapacity to do better; perhaps I felt subconsciously ironic toward it. But it is on film; the rest is up to you.
On his journey as an actor in “Edward James Olmos Reflects on the Legacy of ‘Stand and Deliver,’ Three Decades Later” https://remezcla.com/features/film/edward-james-olmos-stand-and-deliver-30-years/ in Remezcla (2019 May 30)
Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.
Variant translation: Liberal institutions straightway cease from being liberal the moment they are soundly established: once this is attained no more grievous and more thorough enemies of freedom exist than liberal institutions.
Expeditions of an Untimely Man, 38
Twilight of the Idols (1888)
Context: My conception of freedom. — The value of a thing sometimes does not lie in that which one attains by it, but in what one pays for it — what it costs us. I give an example. Liberal institutions cease to be liberal as soon as they are attained: later on, there are no worse and no more thorough injurers of freedom than liberal institutions. One knows, indeed, what their ways bring: they undermine the will to power; they level mountain and valley, and call that morality; they make men small, cowardly, and hedonistic [genüsslich] — every time it is the herd animal that triumphs with them. Liberalism: in other words, herd-animalization...
[Francis Weston Sears, Mechanics, heat and sound, Addison-Wesley principles of physics series Volume 1, 2nd Edition, Addison-Wesley Press, 1950, 447]
