Edykasawuli7 quote: “In Uganda every filmmaker wants to be recorgnized as an individual and this is where the whole concept of filmmaking ge…”

“I chose this profession not for the money or the glamour. I want to push boundaries, enjoy the process of filmmaking.”

Rima Das (1982) Indian Assamese film maker

Indian Express Article - Rising Star: Village Rockstars director Rima Das - 15 October 2017 https://indianexpress.com/article/entertainment/regional/village-rockstars-rima-das-4890447/ - Archive https://web.archive.org/web/20210728182022/https://indianexpress.com/article/entertainment/regional/village-rockstars-rima-das-4890447/

“I WANTED nothing more than to be a foreign filmmaker, but of course I was from Brooklyn, which was not a foreign country. Through a happy accident I wound up being a foreign filmmaker because I couldn’t raise money any other way.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

As quoted in the New York Times, That’s Amore: Italy as Muse: Woody Allen on Italian Movies and ‘To Rome With Love’ http://www.nytimes.com/2012/06/17/movies/woody-allen-on-italian-movies-and-to-rome-with-love.html?_r=1&smid=FB-nytimes&WT.mc_id=MO-E-FB-SM-LIN-TAI-061912-NYT-NA&WT.mc_ev=click, June 15, 2012.
Others

“As a filmmaker, I really am most interested in humans and their deep desire to connect to each other. How do they get through their own lives? Where have I come and where am I now? And where do I want to go from here? It’s all of those humanistic questions.”

Lynn Shelton (1965–2020) American film director, screenwriter, film editor, actress and film producer (1965-2020)

Cinema76 - Interview with Sword of Trust Director Lynn Shelton - 16 July 2019 https://www.cinema76.com/home/2019/7/16/interview-with-sword-of-trust-director-lynn-shelton - Archive https://web.archive.org/web/20210727191014/https://www.cinema76.com/home/2019/7/16/interview-with-sword-of-trust-director-lynn-shelton

“I love filmmaking when fate is a part of the process and you are dependent on the laws of physics and the elements to get a single moment that transports or in some way creates an illusion even for a moment. I think that is tremendous fun and what I think filmmaking is, catching lightning in a bottle. I feel like we are so used to CGI now and thank god because it is a wonderful tool, but there is an element of everything you are looking at has been created in the comfort of a studio. I want to return to a world where I can celebrate when you are really interacting with the world.”

Larry Fessenden (1963) American actor, producer, writer, director, film editor, and cinematographer

Interview with 'Beneath' director Larry Fessenden https://www.axs.com/interview-with-beneath-director-larry-fessenden-92769 (March 25, 2014)

“The island is in Kenya, the water is in Uganda… But the [Luos, a Kenyan ethnic group] are mad, they want to fish here but this is Uganda.”

Yoweri Museveni (1944) President of Uganda

On Migingo Island's ownership, as quoted in "Kenyan MPs' fury over island row" http://news.bbc.co.uk/2/hi/africa/8048771.stm (13 May 2009), BBC News, United Kingdom: British Broadcasting Corporation
2000s

“Its always my conviction that young filmmakers do not actively need old filmmakers help, because the society in which they are living in, their surroundings and their knowledge is completely different. I mean there’s a whole set of different rules which they know better than we do, but if we use our experience to tell them what to do I think it hinders more than it helps. Not unless the old director who’s out to help is also a very good teacher that is saying to the student what he needs to know instead of just telling the student his experience. And being a teacher, I think I’ve been one myself and I know that I’m not good enough, because to be a great teacher is more difficult than to be a great filmmaker.”

Ann Hui (1947) Hong Kong film director

77. Mostra del Cinema - Ann Hui masterclass 28 Oct 2020, at 3 Min 12 Sec https://www.youtube.com/watch?v=5NNfVayr694
Masterclass with Ann Hui at the 77th Venice International Film Festival

“You have to not be arrogant and say you know better, and you have to not thwart their creativity because they are creative people and they have a very different point-of-view than a filmmaker on how to get people in the seats. So, it’s a balance, like everything in life, between keeping your focus and being overly constricting. So, if you want to be a filmmaker, you have to realize what a long arbiter a movie is cut of and shaped on, how many phases there are to it, and how long you have to be totally focused on your story and the movie itself, and how it seemed one way but making a film is really trench warfare.”

Rob Cohen (1949) American film director, producer and writer

Interview: Rob Cohen – Director (The Mummy: Tomb of the Dragon Emperor) http://horrornews.net/45720/interview-rob-cohen-director-the-mummy-tomb-of-the-dragon-emperor/ (December 16, 2008)

“Clerks spoke with the sure, clear voice of an original filmmaker. In Mallrats the voice is muffled, and we sense instead advice from the tired, the establishment, the timid and other familiar Hollywood executive types. The year that Clerks played at the Cannes Film Festival, I was the chairman of a panel discussion of independent filmmakers. Most of them talked about their battles to stay free from Hollywood's playsafe strategies. But Kevin Smith cheerfully said he'd be happy to do whatever the studios wanted, if they'd pay for his films. At the time, I thought he was joking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/mallrats-1995 of Mallrats (20 October 1995)
Reviews, One-and-a-half star reviews

“If you want to be ----ing individual, don’t get a tattoo. Every ----er’s got one these days.”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

Source: https://www.telegraph.co.uk/news/celebritynews/8631054/A-tattoo-doesnt-make-you-cool.html

“[Freud’s] concepts are radical in their pursuit of society where it allegedly does not exist: in the privacy of the individual. Freud undid the primal bourgeois distinction between private and public, the individual and society. … Freud exposed the lie that subject was inviolate; he showed that at every point is was violated.”

Russell Jacoby (1945) American historian

Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 26

“In Uganda every filmmaker wants to be recorgnized as an individual and this is where the whole concept of filmmaking gets misunderstood”

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