“I always like to maintain that I am a writer first and then a director. But unfortunately, I am not known as much as a writer. I am a first-class writer and a second-class director.”

On his leaving the theater world (as quoted in the book Notable Asian Americans http://smithsonianapa.org/wp-content/uploads/sites/8/2009/10/chin-frank.pdf)

Ray Bradbury interview http://lists.topica.com/lists/gsn-newsday-list/read/message.html?sort=t&mid=911788456 March 23, 2005

My Soul Looks Back, 'Less I Forget (1995) by Dorothy Winbush Riley

Letter to George Devine (10 March 1964), printed in Kenneth Tynan : A Life by Dominic Shellard<!-- Yale University Press, 2003, --> , p. 292
Context: I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences. I count myself as a member of an intelligent audience, and I wrote to you as such. That you should disagree with me I can understand, but that you should resent my expressing my opinions is something that frankly amazes me. I thought we had outgrown the idea of theatre as a mystic rite born of secret communion between author, director, actors and an empty auditorium.

FirstPost article by Chintan Girish Modi - Originally an excerpt from Sai Paranjpye's English Autobiography titled "A Patchwork Quilt: A Collage of My Creative Life", published by HarperCollins India - In A Patchwork Quilt, renowned filmmaker Sai Paranjpye reflects on her creative practice, flaws, and failures https://www.firstpost.com/art-and-culture/in-a-patchwork-quilt-renowned-filmmaker-sai-paranjpye-reflects-on-her-creative-practice-flaws-and-failures-9087461.html - 8 December 2020 - Archive https://web.archive.org/web/20210901095737/https://www.firstpost.com/art-and-culture/in-a-patchwork-quilt-renowned-filmmaker-sai-paranjpye-reflects-on-her-creative-practice-flaws-and-failures-9087461.html
Quotes from Sai Paranjpye

Paris Review interview (2007)
Context: I am the kind of writer who rewrites and rewrites. I am very eager to correct everything. If you look at one of my manuscripts, you can see I make many changes. So one of my main literary methods is “repetition with difference.” I begin a new work by first attempting a new approach toward a work that I’ve already written — I try to fight the same opponent one more time. Then I take the resulting draft and continue to elaborate upon it, and as I do so the traces of the old work disappear. I consider my literary work to be a totality of differences within repetition.
I used to say that this elaboration was the most important thing for a novelist to learn.

Letter to the House Un-American Activities Committee (1950), as quoted in "Somewhere Over the Rainbow", by Scott Jacobs, in The Week Behind (23 September 2009) http://www.theweekbehind.com/2009/09/23/somewhere-over-the-rainbow/