“I was born in Kazan, the capital of Tatarstan, during the Soviet-era when there wasn’t any Tatar language…and without any Muslim tradition. I was a Soviet child without my past, without my family roots, because at the time it was forbidden to explain anything.”
As quoted in "Russia’s Chulpan Khamatova on Stalinist Backlash Over ‘Zuleikha’ (EXCLUSIVE)" in Variety (10 June 2020) https://variety.com/2020/tv/news/chulpan-khamatova-communist-backlash-zuleikha-1234627594/
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Chulpan Khamatova 10
Russian actress 1975Related quotes

Variant: I had no voice to talk with because she was my whole language.
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“Without a constant misuse of language, there cannot be any discovery, any progress.”
pg. 27.
Against Method (1975)
Source: Against Method: Outline of an Anarchistic Theory of Knowledge
"Tzortzis: Islam can cure the inequalities in the world" https://www.worldbulletin.net/islamic-world/tzortzis-islam-can-cure-the-inequalities-in-the-world-h137218.html, World Bulletin.net (May 24, 2014)
" The Atlanta Declaration http://www.lneilsmith.org/AtlantaDeclaration.swf," http://www.lneilsmith.org/atlanta.html presented at WeaponsCon I, Atlanta, Georgia, September 1987.

The Saviors of God (1923)
Context: All hopes and despairs vanish in the voracious, funneling whirlwind of God. God laughs, wails, kills, sets us on fire, and then leaves us in the middle of the way, charred embers.
And I rejoice to feel between my temples, in the flicker of an eyelid, the beginning and the end of the world.
I condense into a lightning moment the seeding, sprouting, blossoming, fructifying, and the disappearance of every tree, animal, man, star, and god.
All Earth is a seed planted in the coils of my mind. Whatever struggles for numberless years to unfold and fructify in the dark womb of matter bursts in my head like a small and silent lightning flash.
Ah! let us gaze intently on this lightning flash, let us hold it for a moment, let us arrange it into human speech.
Let us transfix this momentary eternity which encloses everything, past and future, but without losing in the immobility of language any of its gigantic erotic whirling.

1926 - 1941, Autobiography of the artist' (1941)