Saul Bellow (1915–2005) Canadian-born American writer
"The Sealed Treasure" (1960), p. 60
It All Adds Up (1994)
[Introduction, A Good Time to Be Born: How Science and Public Health Gave Children a Future, https://books.google.com/books?id=fNjVDwAAQBAJ&printsec=frontcover#v=onepage&q=unified&f=false, 13 October 2020, W. W. Norton, 978-0-393-61000-0] (ebook)
Saul Bellow (1915–2005) Canadian-born American writer
"The Sealed Treasure" (1960), p. 60
It All Adds Up (1994)
Giuseppe Tomasi di Lampedusa (1896–1957) Sicilian writer and prince
Martin Seymour-Smith Guide to Modern World Literature (London: Hodder & Stoughton, 1975) vol. 3, p. 30.
Criticism
“The nineteenth century believed in science but the twentieth century does not.”
Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays
Wars I Have Seen (1945)
Lewis Thomas (1913–1993) American physician, poet and educator
Ilya Prigogine (1917–2003) physical chemist
Source: Order Out of Chaos: Man's New Dialogue with Nature (1984), p. 138 as cited in: Kenneth D. Bailey (1994) Sociology and the New Systems Theory. p. 122.
William Burges (1827–1881) English architect
Source: Art applied to industry: a series of lectures, 1865, p. 9; Partly cited in: The New Encyclopaedia Britannica: Macropaedia (19 v.) Encyclopaedia Britannica, 1983. p. 514
Context: At present the fashion appears to have set in in favour of two very distinct styles. One is a very impure and bastard Italian, which is used in most large secular buildings; and the other is a variety of the architecture of the thirteenth century, often, I am sorry to say, not much purer than its rival, especially in the domestic examples, although its use is principally confined to ecclesiastical edifices. It is needless to say that the details of these two styles are as different from each other as light from darkness, but still we are expected to master both of them. But it is most sincerely to be hoped that in course of time one or both of them will disappear, and that we may get something of our own of which we need not be ashamed. This may, perhaps, take place in the twentieth century, it certainly, as far as I can see, will not occur in the nineteenth.
Antoine de Saint-Exupéry (1900–1944) French writer and aviator
Ch III : The Tool
Terre des Hommes (1939)
Context: Transport of the mails, transport of the human voice, transport of flickering pictures — in this century, as in others, our highest accomplishments still have the single aim of bringing men together. Do our dreamers hold that the invention of writing, of printing, of the sailing ship, degraded the human spirit?
It seems to me that those who complain of man's progress confuse ends with means. True, that man who struggles in the unique hope of material gain will harvest nothing worth while. But how can anyone conceive that the machine is an end? It is a tool. As much a tool as is the plough. The microscope is a tool. What disservice do we do the life of the spirit when we analyze the universe through a tool created by the science of optics, or seek to bring together those who love one another and are parted in space?
Peter Agre (1949) American chemist, recipient of Nobel Prize in Chemistry
Peter Agre's speech at the Nobel Banquet http://nobelprize.org/nobel_prizes/chemistry/laureates/2003/agre-speech-e.html, December 10, 2003
“… the Bengali was the Marwari of the early nineteenth century.”
Amit Chaudhuri (1962) contemporary Indian-English novelist
Calcutta: Two Years in The City (2013)
Alfred Rosenberg (1893–1946) German architect and politician
"The Russian-Jewish Revolution", Auf Gut Deutsch magazine, February 1919. Quoted in Roderick Stackelberg, Sally A. Winkle, The Nazi Germany Sourcebook: An Anthology of Texts. Routledge, 2013 (p.50). Also in Barbara Miller Lane and Leila J. Rupp, Nazi Ideology Before 1933: A Documentation. University of Texas Press, 2014 (p.12).