“Natural Movement is the universal workout the world has forgotten.”

The Geographical History of America (1936)

VII, 21
Meditations (c. 121–180 AD), Book VII

Nicomachus of Gerasa: Introduction to Arithmetic (1926)
Context: All that has by nature, with systematic method, been arranged in the universe, seems both in part and as a whole to have been determined and ordered in accordance with number, by the forethought and the mind of him that created all things; for the pattern was fixed, like a preliminary sketch, by the domination of number preëxistent in the mind of the world-creating God, number conceptual only and immaterial in every way, but at the same time the true and the eternal essence, so that with reference to it, as to an artistic plan, should be created all these things: time, motion, the heavens, the stars, all sorts of revolutions.<!--Book I, Chapter VI

Source: Light on Life

Ai Weiwei Twitter feed: @AiWW (6:46 p.m. June 15, 2009).
2000-09, Twitter feeds, 2009

Source: The Art of the Dance (1928), p. 78.
Context: The harmony of music exists equally with the harmony of movement in nature.
Man has not invented the harmony of music. It is one of the underlying principles of life. Neither could the harmony of movement be invented: it is essential to draw one’s conception of it from Nature herself, and to see the rhythm of human movement from the rhythm of water in motion, from the blowing of the winds on the world, in all the earth’s movements, in the motions of animals, fish, birds, reptiles, and even in primitive man, whose body still moved in harmony with nature….. All the movements of the earth follow the lines of wave motion. Both sound and light travel in waves. The motion of water, winds, trees and plants progresses in waves. The flight of a bird and the movements of all animals follow lines like undulating waves. If then one seeks a point of physical beginning for the movement of the human body, there is a clue in the undulating motion of the wave.

Source: The Art of the Dance (1928), p. 54.
Context: The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body.

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

1921 - 1930
Source: 'God is not cast down', Malevich, 1922; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 65