Description of Professor Simon Nelson Patten, one of her teachers at the Wharton School, where she attended evening classes in economics and sociology in 1908.
Madame Secretary: Frances Perkins (1970)
The Lady Who Offers Her Looking-Glass to Venus (1718).
Letter to General Winfield Scott (20 April 1861) after turning down an offer by Abraham Lincoln of supreme command of the U.S. Army; as quoted in Personal Reminiscences, Anecdotes, and Letters of Gen. Robert E. Lee (1875) by John William Jones, p. 139
1860s
Context: Since my interview with you on the 18th I have felt that I ought not longer retain my commission in the Army … It would have been presented at once, but for the struggle, it has cost me to separate myself from a service to which I have devoted all the best years of my life, and all the ability I possessed … I shall carry with me to the grave the most grateful recollections of your kind consideration and your name and fame will always be dear to me. Save for defense of my native state, I never desire again to draw my sword.
"Meatless in the Ring: Being Vegan in the Changing World of Pro Wrestling" https://bleacherreport.com/articles/2688747-meatless-in-the-ring-being-vegan-in-the-changing-world-of-pro-wrestling, Bleacher Report (15 March 2017).
The Age for Love
Context: Since that not far-distant time when, tired of being poor, I had made up my mind to cast my lot with the multitude in Paris, I had tried to lay aside my old self, as lizards do their skins, and I had almost succeeded. In a former time, a former time that was but yesterday, I knew — for in a drawer full of poems, dramas and half-finished tales I had proof of it — that there had once existed a certain Jules Labarthe who had come to Paris with the hope of becoming a great man. That person believed in Literature with a capital "L;" in the Ideal, another capital; in Glory, a third capital. He was now dead and buried. Would he some day, his position assured, begin to write once more from pure love of his art? Possibly, but for the moment I knew only the energetic, practical Labarthe, who had joined the procession with the idea of getting into the front rank, and of obtaining as soon as possible an income of thirty thousand francs a year. What would it matter to this second individual if that vile Pascal should boast of having stolen a march on the most delicate, the most powerful of the heirs of Balzac, since I, the new Labarthe, was capable of looking forward to an operation which required about as much delicacy as some of the performances of my editor-in-chief? I had, as a matter of fact, a sure means of obtaining the interview. It was this: When I was young and simple I had sent some verses and stories to Pierre Fauchery, the same verses and stories the refusal of which by four editors had finally made me decide to enter the field of journalism. The great writer was traveling at this time, but he had replied to me. I had responded by a letter to which he again replied, this time with an invitation to call upon him. I went I did not find him. I went again. I did not find him that time. Then a sort of timidity prevented my returning to the charge. So I had never met him. He knew me only as the young Elia of my two epistles. This is what I counted upon to extort from him the favor of an interview which he certainly would refuse to a mere newspaper man. My plan was simple; to present myself at his house, to be received, to conceal my real occupation, to sketch vaguely a subject for a novel in which there should occur a discussion upon the Age for Love, to make him talk and then when he should discover his conversation in print — here I began to feel some remorse. But I stifled it with the terrible phrase, "the struggle for life," and also by the recollection of numerous examples culled from the firm with which I now had the honor of being connected.
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 164, in: 'What he told me – I. The motif'
quote in 1929
In a letter to his Paris art-dealer w:Léopold Zborowski, 1923; as quoted in Soutine, Monrou Wheeler, Museum of modern art, New York, 1950; p. 61
On her relationship with Quincy Jones, as quoted in Cameron Docherty, Interview: Nastassja Kinski - Still a daddy's girl, The Independent, September 26, 1997
