“Racial history lays so heavily on black people – slavery, migration, racism. But I don’t want my characters to be hidden by that…”

— Diana Evans

Source: On addressing racism in her writings in “Diana Evans: 'There's a ruthlessness in me towards writing'” https://www.theguardian.com/books/2018/mar/19/diana-evans-interview-ordinary-people in The Guardian (2018 Mar 19)

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British novelist 1971

Sharon Smith (writer) (1956) American historian

A Marxist Case For Intersectionality (2017)

“Because of anti-blackness in the United States and Latin America, most of us are either hyper-visible or invisible, or both simultaneously. So many people I’ve had conversations with don’t even know that Latinxs are not a race or that black people exist in Puerto Rico (and throughout all of Latin America) and that we don’t all look exactly the same. As a light-skinned black Boricua, I’m often read as racially ambiguous, and because of colorism, I benefit from my proximity to whiteness. I think it’s our responsibility (those of us who benefit from light-skinned privilege or racial ambiguity or whiteness) to have a reckoning with race, to do the work to actively address institutional racism, as well as racism and colorism in our everyday lives, not just in the public eye. Otherwise, we are complicit.”

Jaquira Díaz Puerto Rican writer

On racism and being lighter-skinned in “‘Either Hyper-Visible or Invisible’: An Interview with Jaquira Díaz” https://lareviewofbooks.org/article/either-hyper-visible-or-invisible-an-interview-with-jaquira-diaz/ in Los Angeles Review of Books (2019 Oct 29)

“I don’t think sexism is worse than racism, it’s impossible even to compare…It’s that I feel lonely in my fight against sexism, in a way that I don’t feel in my fight against racism. My friends, my family, they get racism, they get it. The people I’m close to who are not black get it. But I find that with sexism you are constantly having to explain, justify, convince, make a case for.”

Chimamanda Ngozi Adichie (1977) Nigerian writer

On why sexism is at times a more difficult argument for her than racism in “Chimamanda Ngozi Adichie: ‘This could be the beginning of a revolution’” https://www.theguardian.com/books/2018/apr/28/chimamanda-ngozi-adichie-feminism-racism-sexism-gender-metoo in The Guardian (2018 Apr 28)

“You're going to relegate my history to a month? I don't want a black history month. Black history is American history.”

Morgan Freeman (1937) American actor, film director, and narrator

“White people in this country must be willing to accept black leadership, for that is the only protection that black people have to protect ourselves from racism rising again in this country. Racism in the United States is so pervasive in the mentality of whites that only an armed, well-disciplined, black-controlled Government can insure the stamping out of racism in this country.”

James Forman (1928–2005) American civil rights leader

Source: "The Black Manifesto" (1969), p. 118

“My family history is made of migration; it’s something that’s part of my own complexity.”

Mati Diop (1982) French actress and film director

Source: On her family background that includes an immigrant parent in “Atlantics director Mati Diop: ‘As a mixed-race girl, there’s a visible and invisible side of you'” https://www.theguardian.com/film/2019/nov/09/atlantics-director-mati-diop-as-a-mixed-race-girl-theres-always-a-visible-and-invisible-side-of-you in The Guardian (2019 Nov 9)

“Because we are so accustomed to talking about race in terms of black and white, we often fail to recognize and contest expressions of racism that target people of color who are not black.”

Angela Davis Are Prisons Obsolete?

Source: Are Prisons Obsolete? (2003), Chapter Two

“The Klu Klux Klan and the racial segregation that was so dramatically challenged during the mid-twentieth century freedom movement was produced not during slavery but rather in an attempt to manage free black people who would have been far more successful in pushing forward democracy for all.”

Angela Davis (1944) American political activist, scholar, and author

Freedom is a Constant Struggle: Closures and Continuities (2013)

“I truly wanted to be a character actor. People ask me, ‘When are you going to get the lead?’ and I say, ‘I don’t want the lead.’ I always use John Carradine – I don’t know why – but John Carradine to me was more of the classic character actor who would literally show up and do three lines in a big Hollywood movie and then have a bigger part in the sequel to The Invisible Man. That career is so great. That is part of my… I don’t know if it’s a set plan, but I always seem to follow that course.”

Kevin J. O'Connor (actor) (1963) American actor

Exclusive Interview: Kevin J O'Connor http://www.chud.com/14305/exclusive-interview-kevin-j-oconnor-there-will-be-blood-dvd/ (April 8, 2008)

“An all-too-common reaction to something like racism is to hate the act so much you dismiss the person. But in [American History X] you're forced to confront the complexity of the character and his tragedy - and the fact, which people don't want to recognise, that someone like him can come out of a normal middle-class home.”

Edward Norton (1969) american actor

" Edward Norton is up for an Oscar. But who is he? https://web.archive.org/web/20190324033705/https://www.theguardian.com/culture/1999/mar/19/awardsandprizes" (archived), theguardian.com, 19 March 1999.

“Racial history lays so heavily on black people – slavery, migration, racism. But I don’t want my characters to be hidden by that…”

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