1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
“Once I wrote poems, I found that I was able to piece together individual moments that would, I’d hoped, sometimes compound. The line was the most important thing to me—that and the music it produced.”
On how poetry writing eventually led to short stories and other works in “A Poet’s Novel: Jon Pineda talks LET’S NO ONE GET HURT” https://www.booklistreader.com/2018/03/22/books-and-authors/a-poets-novel-jon-pineda-talks-lets-no-one-get-hurt/ in Booklist Reader (2018 Mar 22)
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Jon Pineda 3
American writer 1971Related quotes
“I found the poems in the fields,
And only wrote them down.”
Source: The Later Poems, 1837-1864: Volumes I and II
On how she favors a musical quality to her poetry in the book Truthtellers of the Times: Interviews with Contemporary Women Poets https://books.google.com/books?id=LkVO9mmfwZYC&pg=PA23&lpg=PA23&dq
Cosmopolitan (April 2010). https://www.snopes.com/fact-check/lady-gaga-ex-boyfriend-quote/
Paris Review interview (1996)
Context: In the long poem, if there is a single governing image at the center, then anything can fit around it, meanwhile allowing for a lot of fragmentation and discontinuity on the periphery. Short poems, for me, are coherences, single instances on the periphery of a nonspecified center. I revise short poems sometimes for years, whereas, since there is no getting lost in the long poem, I engage whatever comes up in the moment and link it with its moment.
“I think the most important thing about music is the sense of escape.”
Zheng Yuanjie (2008) in: "China's Hans Christian Andersen" on CRIENGLISH.com, June 19, 2008 ( online http://english.cri.cn/4406/2008/06/19/1141@370720.htm).
“The Sitters” (p. 73); originally published in Galaxy Science Fiction, April 1958
Short Fiction, Skirmish (1977)