
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
On how poetry writing eventually led to short stories and other works in “A Poet’s Novel: Jon Pineda talks LET’S NO ONE GET HURT” https://www.booklistreader.com/2018/03/22/books-and-authors/a-poets-novel-jon-pineda-talks-lets-no-one-get-hurt/ in Booklist Reader (2018 Mar 22)
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)
“I found the poems in the fields,
And only wrote them down.”
Source: The Later Poems, 1837-1864: Volumes I and II
On how she favors a musical quality to her poetry in the book Truthtellers of the Times: Interviews with Contemporary Women Poets https://books.google.com/books?id=LkVO9mmfwZYC&pg=PA23&lpg=PA23&dq
Cosmopolitan (April 2010). https://www.snopes.com/fact-check/lady-gaga-ex-boyfriend-quote/
Paris Review interview (1996)
Context: In the long poem, if there is a single governing image at the center, then anything can fit around it, meanwhile allowing for a lot of fragmentation and discontinuity on the periphery. Short poems, for me, are coherences, single instances on the periphery of a nonspecified center. I revise short poems sometimes for years, whereas, since there is no getting lost in the long poem, I engage whatever comes up in the moment and link it with its moment.
“I think the most important thing about music is the sense of escape.”
Zheng Yuanjie (2008) in: "China's Hans Christian Andersen" on CRIENGLISH.com, June 19, 2008 ( online http://english.cri.cn/4406/2008/06/19/1141@370720.htm).
“The Sitters” (p. 73); originally published in Galaxy Science Fiction, April 1958
Short Fiction, Skirmish (1977)