“The play is my gut's response to stories that have to do with my own bloodline. I think it is a great luxury and adventure to be able to dive into one's own history, one's own lineage, psychology and story, and illumine and at the same time fictionalize it.”

— Philip Kan Gotanda

On his play Yachiyo in “Family Secret Revealed on Stage / Philip Kan Gotanda tells tragic story of aunt he never knew in `Yachiyo'” https://www.sfgate.com/entertainment/article/Family-Secret-Revealed-on-Stage-Philip-Kan-3020373.php in SF Gate (1995 Nov 5)

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Philip Kan Gotanda 4

American film director and playwright 1951

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Primary Source - Directors Guild of America’s Visual Oral History Program - Interview by Michael Pressman - Chapter 3 - Visual History with Joan Micklin Silver https://www.dga.org/Craft/VisualHistory/Interviews/Joan-Micklin-Silver.aspx?Filter=Full%20Interview - 19 September 2005 - Archive https://web.archive.org/web/20210911133653/https://www.dga.org/Craft/VisualHistory/Interviews/Joan-Micklin-Silver.aspx?Filter=Full+Interview
Secondary Sources -
New York Times article by Anita Gates - Joan Micklin Silver, Director of ‘Crossing Delancey,’ Dies at 85 https://www.nytimes.com/2021/01/01/movies/joan-micklin-silver-dead.html - 1 January 2021 - Archive https://web.archive.org/web/20210911135615/https://www.nytimes.com/2021/01/01/movies/joan-micklin-silver-dead.html
MSN Entertainment article by Tyler Aquilina - Joan Micklin Silver, boundary-breaking director of Crossing Delancey, dies at 85 https://www.msn.com/en-us/movies/news/joan-micklin-silver-boundary-breaking-director-of-crossing-delancey-dies-at-85/ar-BB1cq6Pn - 2 January 2021 - Archive https://web.archive.org/web/20210911134333/https://www.msn.com/en-us/movies/news/joan-micklin-silver-boundary-breaking-director-of-crossing-delancey-dies-at-85/ar-BB1cq6Pn

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“The play is my gut's response to stories that have to do with my own bloodline. I think it is a great luxury and adventure to be able to dive into one's own history, one's own lineage, psychology and story, and illumine and at the same time fictionalize it.”

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Philip Kan Gotanda 4

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