“Symbolism exists to adorn and enrich, not to create an artificial sense of profundity.”
Stephen King (1947) American author
Source: On Writing: A Memoir of the Craft
“Symbolism exists to adorn and enrich, not to create an artificial sense of profundity.”
Stephen King (1947) American author
Source: On Writing: A Memoir of the Craft
David Hume book A Treatise of Human Nature
Part 2, 1.17
A Treatise of Human Nature (1739-40), Book 3: Of morals
William Howard Taft (1857–1930) American politician, 27th President of the United States (in office from 1909 to 1913)
Quoted in Robert J. Schoenberg (1992), Mr. Capone, apparently referring to the temperance movement.
Attributed
Milton Friedman (1912–2006) American economist, statistician, and writer
“A Friedman doctrine‐- The Social Responsibility Of Business Is to Increase Its Profits” (Sept. 1970)
Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker
Quote from 'Ein neuer Naturalismus? Eine Rundfrage des Kunstblatts', in 'Das Kunstblatt' 9, 1922; p. 375
1920's
Fritjof Capra book The Turning Point
Source: The Turning Point (1982), p. 82.
Source: The Tao of Physics: An Exploration of the Parallels between Modern Physics and Eastern Mysticism
Context: At the subatomic level, matter does not exist with certainty at definite places, but rather shows "tendencies to exist," and atomic events do not occur with certainty at definite times and in definite ways, but rather show "tendencies to occur."
“There is no great danger to politics in the desire for certainty at any price.”
Bernard Crick (1929–2008) British political theorist and democratic socialist
Source: In Defence Of Politics (Second Edition) – 1981, Chapter 5, A Defence Of Politics Against Technology, p. 92.
Julie Taymor (1952) American film and theatre director
As quoted in "New York at Work; Puppeteer Creates Shows for Grown-Ups" by N. R. Kleinfield The New York Times (2 July 1991) http://www.nytimes.com/1991/07/02/nyregion/new-york-at-work-puppeteer-creates-shows-for-grown-ups.html <br class="br">Context: We have a ways to go in understanding the power of puppetry … Our problem is for too long we have thought of puppets being for children. … The appeal of puppetry to me is it's much more freeing for an artist … Puppetry is a completely controllable means to attack your characters in every possible way. The artist has the possibility to create a much larger landscape with puppetry. The human becomes more human in that sense. Another of the great things about puppetry is the ability to transform.