“Architecture differs from a work of art, which can be displayed in different settings and the subject-matter, form and meaning will remain unchanged. The physicality of any built structure can be altered over time as additions and alterations are made. Moreover, a building or work of architecture can change its function as it meets the different demands of its occupants, although its exterior appearance may be unaltered. And its meaning may change depending on the nature of the context. This reveals some of the problems of interpreting historic architecture from a modern-day perspective as the physical changes and different cultural contexts transform the object.”

Although the term architecture was introduced only ten years ago in computer technology (Buchholz), the concept of architecture is as old as the use of mechanism by man. When a child is taught to look at a clock, it is taught the architecture of the clock. It is told to observe the position of the short and the long hand and to relate these to the hours and the minutes. Once it can distinguish the architecture from the visual appearance, it can tell time as easily from a wrist watch as from the clock on the church tower.
The inner structure of a system is not considered by the architecture: we do not need to know what makes the clock tick, to know what time it is. This inner structure, considered from a logical point of view, will be called the implementation, and its physical embodiment the realisation.
Source: Computer architecture (1972), p. 154

The Origins of Art (1966)
Other Quotes
Context: What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestations—which is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed.

Man and Space - Mensch und Raum 2005

Source: 1980, "Art and Architecture," 1987, p. 177

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter IV. The Middle Ages

As cited in: Allen Kent, ‎James G. Williams (1995), Encyclopedia of Computer Science and Technology: Volume 32. p. 187
Principles of program design, 1975

Workers Councils (1947)

Source: A Framework for Information Systems Architecture, 1987, p. 283. cited in: Stephen L. Montgomery (1994) Object-oriented information engineering: : analysis, design, and implementation. p. 279

CNN News18 - Ekta Kapoor Interview with Rajeev Masand - 4 Oct 2019, at 4 Min 28 Sec https://www.youtube.com/watch?v=tX-C4jRzxM4
From interview with Rajeev Masand