“I have always been amazed that it seems to come as a shock to people that Mexicans are human beings. And on a philosophical level, I always remind interviewers that “the border” has nothing to do being Mexican or not. The border is simply a metaphor for what divides and wounds us as people – and I mean that “border” between any group of people, gay-straight, black-white, Muslim-Jewish, etc…”

— Luis Alberto Urrea

On how the term border may be applied to other social divides in “Interview with Pulitzer Prize Finalist Luis Alberto Urrea” https://www.latinobookreview.com/interview-with-pulitzer-prize-finalist-luis-alberto-urrea--latino-book-review.html in Latino Book Review (2018 Feb 25)

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Luis Alberto Urrea 7

Mexican-American poet 1955

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“I have been discriminated against by white people for being black, by black people for being gay, by gay people for peing too fem. Did I let them stop me from getting to this chair?”

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“Oh it’s very beautiful to have a very rich heritage from my Indian ancestors. My mother is Mixtec [a native tribe of Oaxaca], and my father was Scottish American. Growing up with those cultures has been enriching. Though, at first very difficult because I was rejected by one culture — in the Mexican Nation there is a lot of discrimination towards the Indian groups. So I struggled with that and with being discriminated as a Mexican. But I think music has been able to erase those boundaries. I think it’s easier to stop talking about those borders, and talk more about the music — to make music so that those borders are erased in a poetic way.”

Lila Downs (1968) Mexican American singer-songwriter

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“Chicano" was a bad word when I was coming up. At least that's what the elders said. The word referred to a Mexican born in the U.S., so by that definition, I'm not Chicano. I was born in Tijuana, but the Mexicans didn't see me as Mexican and the Americans didn't see me as American. I'm a man without a flag. When I started working among Chicanos as an adult, some accepted me, but some didn't. On either side [of the border] I was the "other"; I've always been the other. Later on when I had a bit of success, people on both sides were much more enthusiastic about embracing me. The word "Latino" seems meaningless to me, and "Hispanic" is just wrong. These days, I just tell people my nationality is "Writer.”

Luis Alberto Urrea (1955) Mexican-American poet

On finding his niche as a writer in “AN INTERVIEW WITH LUIS ALBERTO URREA” http://www.bookslut.com/features/2011_12_018440.php in Bookslut (December 2011)

“Q: Why is it that in all of your commercials you have the image of Latinos? What do you see when you hear, and I quote, "illegal aliens?"
Sharron Angle: I think that you're misinterpreting those commercials. I'm not sure that those are Latinos in that commercial. What it is, is a fence and there are people coming across that fence. What we know is that our northern border is where the terrorists came through. That's the most porous border that we have. We cannot allow terrorists; we cannot allow anyone to come across our border if we don’t know why they're coming. So we have to secure all of our borders and that's what that was about, is border security. Not just our southern border, but our coastal border and our northern border.”

Sharron Angle (1949) Former member of the Nevada Assembly from 1999 to 2007

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“In secondary immigration, as I await processing, I sit with people for whom I imagine the experience is less of a novelty. To be blunt, non-white people. Mexican and Arabian people, mostly—I assume, I don’t look at their passports; they don’t have them, they’re behind the desks with the border police, equally trapped and obese, behind the counter, often the same color as the people they’re casually harassing. “Who does this notion of nation most suit,” I wonder as I sit there, unable to use my phone. Proper rich people don’t encounter these rooms, these borders, these problems. For them the world is as it is when seen from space, without boundary, without limitation, full of fluid possibility and whispering wonder.”

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“I do not have the power - besides no one has the power in Germany - to control how many people will cross the border to Germany.”

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“In some way the Chicano movement strikes me as being revolutionary, but only in a pathetic way, because the genius of Mexico has always been assimilation. I tell Mexican American kids all the time—if I get a chance to talk to them without their teachers—that they come from a culture that violates borders. Kids are coming up every night across the border in violation of Protestant lines. These kids represent a force of anarchy in the world. We are not people of pure race. We are people of mixed race. We have violated those borders already. We are people whose identity assumes the continuousness of experience rather than the segregation of experience. I tell them to be proud of that experience. Don't say to the United States, "I want a separate math class in Spanish." That's not going to scare them. Instead, terrify America by saying, "I'm going to marry your daughter." Or see what happens to the Chicano movement when you announce to the blonde people next door, "I'm going to start dating your son," or "You're going to be my best friend," that "We're neighbors."”

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Van Jones (1968) American environmental advocate and civil rights activist

Wartimes : Reports From The Opposition (2003) a CD financed, produced and featuring the voice of Jones, as quoted at "Cool... But, Yes, Communist" by Marty Peretz, in The New Republic (10 September 2009) http://www.tnr.com/blog/the-spine/cool-yes-communist

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Luis Alberto Urrea 7

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