Source: Howards End (1910), Ch. 22
Context: Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die.
“Only connect! That was the whole of her sermon. Only connect the prose and the passion, and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Only connect, and the beast and the monk, robbed of the isolation that is life to either, will die.”
Source: Howards End (1910), Ch. 22
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E.M. Forster 200
English novelist 1879–1970Related quotes
Source: Howards End (1910), Ch. 22
Context: She might yet be able to help him to the building of the rainbow bridge that should connect the prose in us with the passion. Without it we are meaningless fragments, half monks, half beasts, unconnected arches that have never joined into a man. With it love is born, and alights on the highest curve, glowing against the grey, sober against the fire. Happy the man who sees from either aspect the glory of these outspread wings. The roads of his soul lie clear, and he and his friends shall find easy-going.
“In an extreme view, the world can be seen as only connections, nothing else.”
Weaving the Web (1999)
Context: In an extreme view, the world can be seen as only connections, nothing else. We think of a dictionary as the repository of meaning, but it defines words only in terms of other words. I liked the idea that a piece of information is really defined only by what it's related to, and how it's related. There really is little else to meaning. The structure is everything. There are billions of neurons in our brains, but what are neurons? Just cells. The brain has no knowledge until connections are made between neurons. All that we know, all that we are, comes from the way our neurons are connected.
Collected Works, Vol. 32, p. 94.
Collected Works
“There are no connections in resonant space. There are only interfaces and metamorphoses.”
Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 75
Penelope Cruz, on working with Berry in Gothika — reported in Los Angeles Daily News staff (November 20, 2003) "American Gothika; Halle Berry overcomes her career fear to take first marquee role in horror film", The Guelph Mercury, p. F12.
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Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Chapter 9, The Digital Divide in a Global Perspective, p. 269
“Indeed it may be only by risking the incoherence of identity that connection is possible.”
Bodies That Matter: On the Discursive Limits of "Sex" (1993)