“If he is playing very good, I have to play unbelievable. If not, it’s impossible, especially if he’s playing with good confidence. When he’s 100 percent, he’s playing in another league. It’s impossible to stop him. I fight. I fight. I fight. Nothing to say. Just congratulate him.”

Rafael Nadal, after losing to Federer in the Shanghai Masters Cup semifinal, Nov. 17, 2007. http://www.nytimes.com/2007/11/18/sports/tennis/18tennis.html?ref=sports http://www.msnbc.msn.com/id/21844884/

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Do you have more details about the quote "If he is playing very good, I have to play unbelievable. If not, it’s impossible, especially if he’s playing with good …" by Roger Federer?
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Roger Federer 32
Swiss tennis player 1981

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“He has a lot of ability. The team depends on him. He is a star. He is going to emerge as an all-time great in the future. I see that much potential in him. It is very difficult to spot his weakness. He plays on both sides of the wicket. He plays both on the front and the back foot. He has a good temperament, technique.”

Virat Kohli (1988) Indian cricket player

Showering praise on India's star batsman Virat Kohli, legendary cricketer Imran Khan said he had the potential to emerge as an all-time great, quoted on ibnlive, "Virat Kohli has the potential to emerge as all-time great: Imran Khan" http://www.ibnlive.com/cricketnext/news/virat-kohli-has-the-potential-to-emerge-as-all-time-great-imran-khan-1218529.html, March 19, 2016.
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“I was astonished at how well he played live. I had no idea he was that good.”

John Mayer (1977) guitarist and singer/songwriter

Eric Clapton, on seeing Mayer perform at the Crossroads Music Festival in 2004. (2005) ( From Cleaveland.com http://www.cleveland.com/entertainment/plaindealer/index.ssf?/base/friday/1128072649185000.xml&coll=2)

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“When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me”

Alice Cooper (1948) American rock singer, songwriter and musician

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Context: In the early days when I was drinking... I had a very blurry line about where those two were... but I mean, that happens when you drink twenty-two hours a day. I would just sit and drink. I didn’t know whether or not I was supposed to be Alice when I went out for dinner and was a little lit. Then there was the question about whether or not I should wear the make up because I didn’t really want to disappoint anyone. Was I supposed to get into trouble? Was I supposed to get arrested that night? All of those questions went through my mind. You have to remember though who my older brothers and sisters were though--guys like Jim Morrison and Keith Moon and all the people who were living that life. After they all died, I just sat there and went, “if one generation is going to learn from the next the truth is going to have to be that you don’t have to die to be your character.” I figured then that I had better be able to separate the two. When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me... I walk off stage though and I turn away from the audience, I go back to being me again. Whenever I see an audience, that’s when I turn into Alice. If there was no audience there, there would be no reason to be Alice.. If I tried to be Alice Cooper all the time — I’d either be in an insane asylum or in jail or dead. Alice is just too intense, and you just can’t be Alice all the time. Jim Morrison couldn’t be Jim Morrison, so he died. Jimi Hendrix couldn’t be Jimi Hendrix, so he died. That’s really what killed Janis Joplin, Keith Moon and all the way down the line. They were all animated characters who couldn’t live up to their lifestyle, so I said that I needed to be able to separate the two — that’s why I’m still here.

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“Good at a fight, but better at a play;
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Thomas Moore (1779–1852) Irish poet, singer and songwriter

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“"You can't play anything on a horn that Louis hasn't played." and "I love Pops" (Louis' nickname) … Louis has been through all kinds of styles. That's good tuba, by the way. You know you can't play anything on a horn that Louis hasn't played — I mean even modern. I love his approach to the trumpet; he never sounds bad. He plays on the beat — with feeling. That's another phrase for swing. I also love the way he sings.”

Miles Davis (1926–1991) American jazz musician

In the Jazz Review with Nat Hentoff (1958); also in , and in many other books https://www.google.com/search?tbm=bks&hl=en&q=%22play+anything+on+a+horn%22+miles+davis
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“It's an advantage having a limited output. When George Gershwin is asked to play his repertoire, he plays all evening. I just play "Lady Play Your Mandolin" and I'm through.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

As quoted in Dancing in the Dark (1974), p. 61

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