
Speeches, Moscow Address
David E. Murphy
Speeches, Moscow Address
El que aquí cuenta lo que vio y le ocurrió no es aquel que lo vio y al que le ocurrió.
Source: Todas las Almas [All Souls] (1989), p. 3
So it depends.
On her role in The Disappearance of Eleanor Rigby (2013-2014), written and directed by Ned Benson
Vulture interview (2014)
On painter Rufino Tamayo.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)
Context: He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"
" The Runaway http://www.poemhunter.com/poem/runaway-the/" (1923)
1920s
The Caucasus, March, 1936
The Kennan Diaries
“He saw her from the bottom of the stairs
Before she saw him.”
Home Burial (1915)
Context: He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: "What is it you see
From up there always?—for I want to know."
“As he saw it, there was only one choice — to be strong and upright, or to commit suicide.”
"Sword" ("Ken"), quoted in 三島由紀夫短編集: Seven Stories, translated by John Bester (2002), p. 46.