“My plan was not to be a celebrity. My plan was to be a singer and an entertainer. I wanted to go to NYU, major in musical theater, do Broadway, and come out with an album. Unfortunately, I started fucking up when I was in my teens.”

“When I die, I want people to play my music, go wild and freak out and do anything they want to do.”

“I've just sort of gone with the flow and I ended up here. Crazy. I'm not going to start planning anything, my life is way better than anybody could have planned it.”

“I was happy to do it when I saw the chance of helping out the local theater scene … I am delighted to be able to help the theaters where I grew up and learned my profession. I have never forgotten my past.”

“My father was a wrestler and though everyone liked music in the family, it was a taboo to even think of a musical career. I used to wrestle to keep him happy. When I was about nine years old, I started learning vocal music from Pandit Rajaram, secretly! At the age of fifteen, I heard the flute for the first time on Allahabad radio. It was as if I was being transported to heaven. The flautist was Pt. Bholanath and that was the major turning point in my life. Soon after, while I was still in my teens I got an offer to work as a staff artist on Cuttack radio in Odisha/ and I accepted. It was then that my father found out that I was a musician. It was a major shock for him.”

“Death should be a celebration. Like a birthday. I want to go up like a rocket when my time comes, and fall down in a cloud of stars, and hear everyone go: ahh!”

“I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on—if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.”

“I didn’t try to be a soul singer, a jazz singer, a blues singer – no category…My music is my expression of what I feel and believe in a moment.”

“It wasn’t a great location. I started to deliver, not because it was part of a business plan, but to get sales—to make up for my C location.”

“I wasn’t reluctant about it. I’ve had so many fans online and at shows ask for my old material that I was surprised. So when I had the chance to release my back catalog on iTunes it was really for the fans. I’m still surprised when a fan comes up to me and ask about F. O. O. D. I want to please those fans that have enjoyed my previous albums and I also want to be able to see the progression of my music for posterity sake.”