“Yesterday I had a violent run-in with M. Eugene Manet on the subject of Seurat and Paul Signac. The latter was present, as was Guillaumin. You may be sure I rated Manet roundly. - Which will not please Renoir.”

— Camille Pissarro

But anyhow, this is the point, I explained to M. Manet, who probably didn't understand anything I said, that Seurat has something new to contribute which these gentlemen, despite their talent, are unable to appreciate, that I am personally convinced of the progressive character of his art and certain that in time it will yield extraordinary results. Besides I am not concerned with the appreciation of artists, no matter whom. I do not accept the snobbish judgments of "romantic impressionists" to whose interest it is to combat new tendencies. I accept the challenge, that's all..
Quote of Camille Pissarro, in a letter, Paris March 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 73-74
1880's

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Camille Pissarro 51

French painter 1830–1903

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“Yesterday I had a violent run-in with M. Eugene Manet on the subject of Seurat and Paul Signac. The latter was present, as was Guillaumin. You may be sure I rated Manet roundly. - Which will not please Renoir. - But anyhow, this is the point, I explained to M. Manet, who probably didn't understand anything I said, that Seurat has something new to contribute which these gentlemen, despite their talent, are unable to appreciate, that I am personally convinced of the progressive character of his art and certain that in time it will yield extraordinary results. Besides I am not concerned with the appreciation of artists, no matter whom. I do not accept the snobbish judgments of "romantic impressionists" to whose interest it is to combat new tendencies. I accept the challenge, that's all..”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Paris March 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, pp. 73-74
1880's

“.. it was Seurat who first and most successfully established a balance between subject, composition and technique.... the modern world that Seurat wished to paint... I understood his importance as soon as I arrived in Paris [1906]... I chose Seurat as my master for once and for all.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 35; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 12

“Ah! Women... I met one yesterday on the Pont de l'Europe [in Paris, circa 1881 - Manet was walking through the city frequently with his friend Antonin Proust, but then already more or less cripple because of his syphilis]. She was walking the way only a Parisienne knows how to walk, but with an extra something, even more assured. I'll remember that. There are some things that will always be engraved on my mind.”

Edouard Manet (1832–1883) French painter

quoted in Portrait of Manet by Himself and his Contemporaries, Courthion and Cailler; London, Cassell, 1960 p.97
1876 - 1883

“You ate something yesterday. You sure?"asked Simon
Jace shrugged."Well, I wouldnt swear on a stack of Bibles. I think it was yesterday, though.”

Cassandra Clare (1973) American author

“I love you more than songs can say, but I can't keep running after yesterday…”

John Mayer (1977) guitarist and singer/songwriter

Source: John Mayer - Battle Studies

“I’m sure you’ve run into people who’ve said, “If I just had the time, I could write a book.” Everybody thinks they can write a book. And everybody’s life story could be the subject of a book — I don’t care who they are. It depends how you approach it. But writing itself, either you have it or you don’t have it. -->”

Taylor Caldwell (1900–1985) Novelist

1970s-, The Captains, the Kings, and Taylor Caldwell (1978)

“Mother died today. Or maybe yesterday; I can't be sure.”

Albert Camus book The Stranger

Aujourd'hui maman est morte. Ou peut-être hier, je ne sais pas.
First sentences of the book; some translations retain the original Maman.
The Stranger (1942)

“The world of our experience consists at all times of two parts, an objective and a subjective part, of which the former may be incalculably more extensive than the latter, and yet the latter can never be omitted or suppressed. The objective part is the sum total of whatsoever at any given time we may be thinking of, the subjective part is the inner "state" in which the thinking comes to pass.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lecture XX, "Conclusions"
1900s, The Varieties of Religious Experience (1902)

“If I had to describe my remarks this evening frankly — as if I were in police court and on oath, so to speak — I should have to call it a ramble over several subjects, portions of which may seem to you to be impudent, and portions of which will be ignorant, and portions of which may contrive to be both at once.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Can a Doctor Be a Humanist? (1984).

“If much difficulty should be experienced in the elementary chapters, I know of no work which I can so confidently recommend to be used with the present one, as that of M. Duhamel.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

Duhamel, Cours d'Analyse de l'Ecole Polytechnique. Paris, Bachelier. vol i 1841 vol. ii. 1840.
The Differential and Integral Calculus (1836)

“Yesterday I had a violent run-in with M. Eugene Manet on the subject of Seurat and Paul Signac. The latter was present, as was Guillaumin. You may be sure I rated Manet roundly. - Which will not please Renoir.”

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Camille Pissarro 51

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