“I certainly believe that the simple landscape which seems less impressive is the nature that is most proper to paint.”

— Willem Roelofs

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik geloof beslist dat de natuur die het meest geschikt is om na te schilderen, het eenvoudige landschap is dat weinig indrukwekkend lijkt.
as cited in Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850, Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 16 – note 2
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Willem Roelofs 32

Dutch painter and entomologist (1822-1897) 1822–1897

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“I certainly believe that the simple landscape which seems less impressive is the nature that is most proper to paint. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik geloof beslist dat de natuur die het meest geschikt is om na te schilderen, het eenvoudige landschap is dat weinig indrukwekkend lijkt.
as cited in Zó Hollands - Het Hollandse landschap in de Nederlandse kunst sinds 1850, Antoon Erftemeijer https://www.franshalsmuseum.nl/wp-content/uploads/2017/12/zohollands_eindversie_def_1.pdf; Frans Hals museum | De Hallen, Haarlem 2011, p. 16 – note 2
undated quotes

“I have experienced this country of the great mountains [Switzerland] superb!…. [but] I positively believe that nature, most appropriate to be reproduced in painting, is the modest landscape which seems just ordinarily and very insignificant. (translation from original French: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original French text:) J'ai trouvé ce pays de grandes montaignes superbe!.. .[mais] Je crois positivement que la nature la plus faite pour être reproduite en peinture, est le paysage modeste et qui parait ordinarement le plus insignificant.
In a letter, 1894; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, 2006, p. 19 - ISBN13 978 90 6868 432 2
late quote of Roelofs, in a letter of his travel with his (painter-)sons to Switzerland
1890's

“There is only one kind of painting: landscape. It is the most difficult. It has also, I believe, the most simple kind of composition. Because no one can stop us from imagining the world in the way that pleases us most.”

André Derain (1880–1954) French painter and engraver

Quote from Derain's letter to Maurice de Vlaminck, c. 1906; as cited in 'Report: André Derain's 'Trees by a Lake', by Cleo Nisse and Francesca Whitlum-Cooper http://courtauld.ac.uk/wp-content/uploads/2015/06/Report-Derain-by-F-Whitlum-Cooper-and-Cleo-Nisse.compressed.pdf, p. 5

“It is not possible to find a landscape, which if painted precisely as it is, will not make an impressive picture. No one knows, till he has tried, what strange beauty and subtle composition is prepared to his hand by Nature.”

John Ruskin book Modern Painters

Volume III, part V, chapter II (1856).
Modern Painters (1843-1860)

“It is not my aim and object to paint a cow for the cow's sake or a tree for the tree's, but by means of the whole to create a beautiful and huge impression which nature sometimes creates, also with most simple means. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

version in original Dutch / citaat van Bilders' brief, in het Nederlands: Het is mijn doel niet eene koe te schilderen om de koe, noch een boom om den boom; het is om door het geheel een indruk te weeg te brengen, dien de natuur somtijds maakt, een grootschen, schoonen indruk, ook door de eenvoudigste middelen.
Quote of Gerard Bilders in his letter c. 1861-1864; as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

“My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940, Notes on Painting - Edward Hopper (1933)

“Painting is a science and should be pursued as an inquiry into the laws of nature. Why, then, may not a landscape be considered as a branch of natural philosophy, of which pictures are but experiments?”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' fourth lecture, Royal Institution (16 June 1836), from John Constable's Discourses, ed. R.B. Beckett, (Ipswich, Suffolk Records Society, 1970), p. 69.
1830s, his lectures History of Landscape Painting (1836)