“A terrible commotion rages among them, the populace shouts and loudly weeps, when suddenly, before the cathedral door, appears the Cardinal Grand Inquisitor himself…. He pauses before the crowd and observes. He has seen all. He has witnessed the placing of the little coffin at His feet, the calling back to life. And now, his dark, grim face has grown still darker; his bushy grey eyebrows nearly meet, and his sunken eye flashes with sinister light. Slowly raising his finger, he commands his minions to arrest Him…”
The Brothers Karamazov (1879–1880), The Grand Inquisitor
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Fyodor Dostoyevsky 155
Russian author 1821–1881Related quotes
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 89.

“Whoever is not in his coffin and the dark grave, let him know he has enough.”

The Great Movies II (2005), p. 94
Context: It's said that Chaplin wanted you to like him, but Keaton didn't care. I think he cared, but was too proud to ask. His films avoid the pathos and sentiment of the Chaplin pictures, and usually feature a jaunty young man who sees an objective and goes for it in the face of the most daunting obstacles. Buster survives tornados, waterfalls, avalanches of boulders, and falls from great heights, and never pauses to take a bow: He has his eye on his goal. And his movies, seen as a group, are like a sustained act of optimism in the face of adversity; surprising, how without asking, he earns our admiration and tenderness.
Because he was funny, because he wore a porkpie had, Keaton's physical skills are often undervalued … no silent star did more dangerous stunts than Buster Keaton. Instead of using doubles, he himself doubled for his actors, doing their stunts as well as his own.

1880s, The Future of the Colored Race (1886)

Source: The Income Tax: Root of All Evil (1954), p. 12

The Scholars (c. 1750), Chapter 3 http://ctext.org/text.pl?node=566382&if=en&remap=gb (trans. Gladys Yang)