Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8
“There was therefore no inevitability in the emergence of an all male priesthood. The prolonged ideological struggle of the Hebrew tribes against the worship of Canaanite deities and especially the persistence of a cult of the fertility-goddess Asherah must have hardened the emphasis on male cultic leadership and the tendency toward mysogyny, which fully emerged only in the post-exilic period. Whatever the causes, the Old Testament male priesthood represented a radical break with millennia of tradition and with the practices of neighboring peoples. This new order under the all-powerful God proclaimed to Hebrews and to all those, who took the Bible as their moral and religious guide that women cannot speak to God.”
The Creation of Patriarchy, ch. 8, pp. 178-179
The Creation of Patriarchy (1986)
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Gerda Lerner 3
Austrian-American women's history scholar 1920–2013Related quotes
Woman in the Nineteenth Century (1845)
Context: Male and female represent the two sides of the great radical dualism. But, in fact, they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.
History jeers at the attempts of physiologists to bind great original laws by the forms which flow from them. They make a rule; they say from observation what can and cannot be. In vain! Nature provides exceptions to every rule. She sends women to battle, and sets Hercules spinning; she enables women to bear immense burdens, cold, and frost; she enables the man, who feels maternal love, to nourish his infant like a mother.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 19
Quoted in "Religion, Politics a Potent Mix for Jerry Falwell" by Steve Inskeep in Morning Edition on NPR (30 June 2006)
In a newspaper interview http://www.timesonline.co.uk/tol/news/politics/article6736504.ece, 2 August, 2009.
Source: SCUM MANIFESTO (1967), p. [1] ("y(male)" & "x(female)" spaceless in original).
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 89
"A Film from the Sixties"
Poems New and Collected (1998), No End of Fun (1967)