“The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval.”

— George Orwell

The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.
"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
As I Please (1943–1947)

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George Orwell 473

English author and journalist 1903–1950

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“The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval. The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.”

George Orwell (1903–1950) English author and journalist

"As I Please" column in The Tribune (3 November 1944)<sup> http://alexpeak.com/twr/oocp/</sup>
"As I Please" (1943–1947)

“I suppose a woman is never in love with any one she has always known— ever since she can remember; as a man often is. It is always some new fellow who strikes a girl.”

George Eliot book Middlemarch

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“My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don’t ask why, because it is mostly the same.
Wars happen because the ones who start them
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Context: Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don’t ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.

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“I think it's a very confused culture. On the one hand, no one is better than anyone else; no one is prettier. On the other hand, everyone is completely obsessed by their looks and by how they strike the world.”

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Context: I think it's a very confused culture. On the one hand, no one is better than anyone else; no one is prettier. On the other hand, everyone is completely obsessed by their looks and by how they strike the world. On the one hand, we're all equal; on the other hand, everyone's a superstar. It's all very irrational, like all ideology.

“What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.”

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“I was very lucky in my career and I loved it. But I don’t think I was accomplished enough as an actor to be remembered particularly. No, I’d like to be remembered as a decent human being, and a caring one.”

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“A man can write one book that can be great, but this doesn't make him a great writer-just the writer of a great book. . . I think a writer has to extend very widely, as well as plunge very deep, to be a great novelist. ”

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“The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval.”

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George Orwell 473

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