
Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)
On how it has changed for her writing in a teenager’s voice in “Randa Abdel-Fattah: Identity and emotion” https://www.writermag.com/writing-inspiration/author-interviews/randa-abdel-fattah/ in The Writer (2018 Jan 18)
Harley Quinn co-creator Paul Dini discusses how Batman helped him heal https://www.dailydot.com/parsec/paul-dini-batman-dark-night-harley-quinn-interview/ (June 21, 2016)
On how she formulates her characters in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)
On how he turns toward art to communicate on his behalf in “Giving a Voice to the Voiceless: Malaquias Montoya, Renowned Artist” https://thebottomline.as.ucsb.edu/2014/01/giving-a-voice-to-the-voiceless-malaquias-montoya-renowned-artist in The Bottom Line (2014 Jan 29)
c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 154
Source: Quote of Mondrian about 1914-1918; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 43
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 20. How the Sphere Encouraged Me in a Vision
Context: p>Although I had less than a minute for reflection, I felt, by a kind of instinct, that I must conceal my experiences from my Wife. Not that I apprehended, at the moment, any danger from her divulging my secret, but I knew that to any Woman in Flatland the narrative of my adventures must needs be unintelligible. So I endeavoured to reassure her by some story, invented for the occasion, that I had accidentally fallen through the trap-door of the cellar, and had there lain stunned.The Southward attraction in our country is so slight that even to a Woman my tale necessarily appeared extraordinary and well-nigh incredible; but my Wife, whose good sense far exceeds that of the average of her Sex, and who perceived that I was unusually excited, did not argue with me on the subject, but insisted that I was ill and required repose.</p
“I sometimes think to myself that I’m the last of my kind.”
Ira Levinson, Chapter 1 Ira, p. 1
2009, The Longest Ride (2013)
Source: On how she chose the topic of mass incarceration for her novel An American Marriage in “If I Can’t Cry, Nobody Cries: An Interview with Tayari Jones” https://www.theparisreview.org/blog/2018/02/08/cant-cry-nobody-cries-interview-tayari-jones/ in The Paris Review (2018 Feb 8)