“People tell me how relevant they find the movie to what’s happening now. It’s comforting, at a time when so many films are being remade, to find that people still appreciate – and are scared by – the original film.”

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Mick Jackson (director)5

film director 1943

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“We don't deliberately desire to scare anybody - we design our creatures to fit in harmony with the story and, of course, our forte is the grotesque. That's why our films were classified so many times as horror films, which they weren't. I would call a war film a horror film because in those you see guts split and people being slaughtered, but our films deal with fantasy and are more theatrical than realistic.”

Ray Harryhausen (1920–2013) American animator

Harryhausen on Horror

“One of the most difficult aspects of being an actor is trying to find the right work. Work that speaks to an audience, that you enjoy doing and that is reflective of your artistic sensibility. To be a contemporary movie actor, you have to kill people - that's basically it. If you don't cock'n'load'n'fire a Smith&Wesson at some point in your film career, you're not going to have a film career. There just aren't enough movies that I like to keep me working in movies all the time. Well, let me rephrase that: there aren't enough available parts.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/stage/2009/may/16/ethan-hawke-cherry-orchard-old-vic-mendes (2009-05-16) <br class="br">2005&ndash;2009

“Mainstream films have occupied Hollywood but you can get bored very easily. It can be very repetitive and I think now we want something fresh and something inspiring and different, daring. The mainstream film is very expensive to make and it scares people. It's made for the worldwide audience, you have to please so many people, and the business men start running the movies rather than artists. This is back to the oldest way of Hollywood filmmaking, creating a fantasy, but it has been lost. It seems to take a foreign language film to recoup that ultimate movie viewing experience.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On Crouching Tiger, Hidden Dragon http://www.imdb.com/news/wenn/2001-03-12#celeb4, quoted at IMDb Movie/TV News (12 March 2001).

“I still don't look at movies twice. It's funny, I just feel I got it the first time. With music it's different. People respond so differently to the whole issue of seeing a movie many times. I'm astonished when I talk to really good critics, who know their stuff and will see a film eight or ten or twelve times. I don't see how they can do it without hating the movie. I would.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

“People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and say "I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference."”

Audrey Hepburn (1929–1993) British actress

How to be Lovely‎ (2005)

“I remember that, as a kid. I never really understood how movies were made, until that movie, because it was such a technical accomplishment. Since then, you’ve seen more and more and more, for all different kids of films, about what goes into the process. If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it. That’s a great thing to put out there, especially if it is a film that has different technological aspects that are unique. There’s not a lot of that that’s been done before, so I think it’s good for people to see.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

Exclusive: Director Patrick Lussier Talks Drive Angry DVD/Blu-ray, Hallraiser and Halloween 3 http://collider.com/patrick-lussier-drive-angry-hellraiser-halloween-3/ (May 31, 2011)

“The film is about what happens when real people do ghastly things to each other, and sure, it shows those things because that's the tone of the film — fairly realistic.”

Olly Blackburn Film director and screenwriter

[Washington City Paper, Creative Loafing Inc., Tricia, Olszewski, http://www.washingtoncitypaper.com/blogs/citydesk/2009/02/13/interview-with-donkey-punch-director-olly-blackburn/, 13 February 2009, 23 February 2012, Interview With Donkey Punch Director Olly Blackburn]

“I am glad I got to be part of such a historic film,” she says and pauses to think. And then adds, “The movie is still popular and that’s great. It also means that for as long as people remember the film, I will also be there in their memories. That’s special. And of course, it is not just Sholay but people also remember me for Seeta Aur Geeta. When I am in the U. S., I love travelling in cabs. And there have been times when Russian cab drivers recognised me and hummed a few tunes from the movie!”

Hema Malini (1948) Indian actress, dancer and politician

Above two quotes in I can do western dance: Hema Malini, 30 December 2012, 6 December 2013, The Hindu http://www.thehindu.com/todays-paper/tp-features/tp-cinemaplus/i-can-do-western-dance-hema-malini/article4254364.ece,

“If people are criticising your work, take it in the right spirit and try to find out what is wrong. I made a lot of mistakes on my first film and told myself not to do it again. Remember that you’re not making a film to keep it in a box, it’s for the people.”

Rima Das (1982) Indian Assamese film maker

Film Companion Article - Rima Das Gives Tips On Zero Budget Filmmaking - 4 November 2017 https://www.filmcompanion.in/interviews/bollywood-interview/rima-das-gives-tips-on-zero-budget-filmmaking/ - Archive https://web.archive.org/web/20210728182917/https://www.filmcompanion.in/interviews/bollywood-interview/rima-das-gives-tips-on-zero-budget-filmmaking/

“Films are even stranger, for what we are seeing are not disguised people but photographs of disguised people, and yet we believe them while the film is being shown.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Comparing film and stage theatre in "The Divine Comedy" (1977)

“People tell me how relevant they find the movie to what’s happening now. It’s comforting, at a time when so many films are being remade, to find that people still appreciate – and are scared by – the original film.”

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Mick Jackson (director)5

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