
“You can ask me anything you like about my work, but I'll never talk about myself.”
As quoted by Valerie Lawson, in an interview: "The Mystic Life of P.L. Travers" (7 May 2003) http://www.abc.net.au/rn/relig/ark/stories/s844311.htm
“You can ask me anything you like about my work, but I'll never talk about myself.”
As quoted by Valerie Lawson, in an interview: "The Mystic Life of P.L. Travers" (7 May 2003) http://www.abc.net.au/rn/relig/ark/stories/s844311.htm
You Asked Me To, from Honky Tonk Heroes, written with Billy Joe Shaver (1973).
Song lyrics
“If you ask me to play myself, I will not know what to do. I do not know who or what I am.”
As quoted in Halliwell's Filmgoer's Companion (1988) by Leslie Halliwell, p. 622
Fini: un gay non puo' fare il maestro http://archiviostorico.corriere.it/1998/aprile/09/Fini_gay_non_puo_fare_co_0_9804094008.shtml, Il Corriere della Sera, 9 April 1998.
“If I ask Him to receive me,
Will He say me nay?
Not till earth, and not till heaven
Pass away.”
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 153.
My jaw dropped. Then I found out this is a common practice.
On his years in the studio, playing on films, TV shows and jingles, as quoted in "He Arranges, Composes, Performs: Fischer, A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer
Vulture interview (2014)
Context: I was on the set of Tree of Life. He was with me, and he asked me [if I] would play Eleanor Rigby in his film. And I said, “Yes, but it’s so much the male perspective,” [whispers] like the majority of films that are made. I said, “I’d like to know more about the woman. I’d like to know her perspective as well.” So he went and he wrote Her. And it was very collaborative because every day as he’d write, I’d be working, and I’d come back and he’d ask me questions about sisters or whatnot and how women talk with each other, and I found that to be really exciting. … he was the full writer. I was his bounce board. Not story things, because that’s the main part of the film, but just things like, you know, cutting the hair. You know, because girls, we all tell each other, “Don’t cut your hair when you’re pregnant, don’t cut your hair when you have a breakup or when a tragedy happens.” It’s something that we like to do when we’re in an emotional place for some reason. Right? But that’s something that a man may not know, that’s inherently female. And so it was my idea, I wanted Eleanor to cut her hair off, because then it connects to then her disappearing herself as well.