As quoted by Elaine Ganley, Shah's son wants help for Iran's opposition http://www.rezapahlavi.org/details_article.php?article=431&page=3, The Washington Post, Feb 11, 2010.
Interviews, 2010
Source: 2000s, Anti-Americanism (2003), p. 156
2000s, Europe's Anti-American Obsession (2003)
As quoted in Cnaan Liphshiz. Obama ‘chickened out’ of confronting mullahs http://www.jpost.com/LandedPages/PrintArticle.aspx?id=272989. The Jerusalem Post. July 6, 2012.
Interviews, 2012
As quoted by Luc de Barochez, Reza Pahlavi : «Lançons une campagne de désobéissance civile» http://www.lefigaro.fr/international/20060608.FIG000000177_reza_pahlavi_lancons_une_campagne_de_desobeissance_civile.html, June 8, 2006.
Interviews, 2006
Christopher Hitchens, Mel Gibson Isn't Just an Angry Narcissist: His tirades are the distilled violence, cruelty, and bigotry of right-wing Catholic ideology., Slate, July. 19, 2010
Source: Russia Under The Bolshevik Regime (1994), p. 242
"Introduction" http://www.encounterbooks.com/books/anam/anam_intro.html
2000s, Anti-Americanism (2003)
Playboy interview (1996)
Context: The way to teach in this world is to pretend you're not teaching. Science fiction offers the chance to pretend to look the other way while teaching. Science fiction is also a great way to pretend you are writing about the future when in reality you are attacking the recent past and the present. You can criticize communists, racists, fascists or any other clear and present danger, and they can't imagine you are writing about them.
“Usually the black racist has been produced by the white racist.”
"On the difference between white racism and black racism," Harvard Law School Forum. December 16, 1964, p. 195-96
Malcolm X Speaks (1965)
Context: Usually the black racist has been produced by the white racist. In most cases where you see it, it is the reaction to white racism, and if you analyze it closely, it's not really black racism... If we react to white racism with a violent reaction, to me that's not black racism. If you come to put a rope around my neck and I hang you for it, to me that's not racism. Yours is racism, but my reaction has nothing to do with racism...
American Photo (January/February 2000), p. 90
Context: Since the commercialization and banality of editorial magazine pages have made this work uninteresting, advertising has become an increasingly important part of my work. It is interesting to compare European and American mores in regard to my work. One will notice that most of my European images have a stronger sexual content that those destined for American publication. The term "political correctness" has always appalled me, reminding me of Orwell's "Thought Police" and fascist regimes.
