"Suddenly I See".
Eye to the Telescope (2004)
Context: Her face is a map of the world
Is a map of the world
You can see she's a beautiful girl
She's a beautiful girl.
And everything around her is a silver pool of light
The people who surround her feel the benefit of it —
It makes you calm
She holds you captivated in her palm.
“He sees no faces, hears no pitiful cries which will never be answered, only flags, pins on maps.”
For My Country's Freedom, Cap 15 "Trick for Trick"
Context: ‘ A general will say, "Order the 87th to advance." And if they are not enough or are hacked down, he will send in another regiment. He sees no faces, hears no pitiful cries which will never be answered, only flags, pins on maps.’
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Douglas Reeman 40
British author 1924–2017Related quotes
“The smart leader never asks the question he doesn't want to hear the answer!”
Turkish Wikipedia
https://quotestats.com/topic/attila-hun-quotes/
“He sees only night, and hears only silence.”
Il ne voit que la nuit, n'entend que le silence.
Imagination, IV; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. ___? (Silence).
Vol. II, p. 31
1980s, Letters to the Schools (1981, 1985)
Context: Attention is this hearing and this seeing, and this attention has no limitation, no resistance, so it is limitless. To attend implies this vast energy: it is not pinned down to a point. In this attention there is no repetitive movement; it is not mechanical. There is no question of how to maintain this attention, and when one has learnt the art of seeing and hearing, this attention can focus itself on a page, a word. In this there is no resistance which is the activity of concentration. Inattention cannot be refined into attention. To be aware of inattention is the ending of it: not that it becomes attentive. The ending has no continuity. The past modifying itself is the future — a continuity of what has been — and we find security in continuity, not in ending. So attention has no quality of continuity. Anything that continues is mechanical. The becoming is mechanical and implies time. Attention has no quality of time. All this is a tremendously complicated issue. One must gently, deeply go into it.
“He had never acted in his life, and couldn't play the pin in Pinafore.”
The Luck of the Bodkins (1935)
Actually both positions are implicit in the paintings, so you don't have to choose.
The Insiders, Rejection en Rediscovery of Man in the Arts of our Time, Selden Rodman, Baton Rouge, Louisiana State University Press, 1960, Chapter 6.
1960s
"Looking For Your Own Face" as translated by Coleman Barks in The Hand of Poetry: Five Mystic Poets of Persia
Canto 5, "Byckerment"
Phantasmagoria (1869)